Artist's framing arrangement

Description

Description of the Invention

[0001] The present invention relates to an artists' framing arrangement.

[0002] As is known, artists' framing arrangements or stretchers have hitherto comprised a stretcher part on which the canvas is fixed by means of metal tacks or staples. Fixing of this type takes place at the outer perimeter edge of the stretcher. Such stretchers may fundamental be sub-divided into two types, more specifically rigid, that is non-expandable, stretchers and expandable stretchers having mobile sides. In the latter there are provided, in the end zones of the sides of the stretchers, mating seats for the ends of the stretcher sides and housing seats for expander elements, in the form of substantially V-shaped springs or wedges, whose purpose is to create an expanding, or spacing, effect between each two adjacent sides of the stretcher, so as to keep the canvas properly tensioned, both during the act of fixing the canvas and subsequently, following the known dilations or shrinkages of the canvases, as are well known in the art. When canvas-tensioning springs are used, the stretchers have also to be provided with right-angled tubular corner-pieces in their corner zones. In the stretchers having wedges, by contrast, the tensioning of the canvas takes place manually, as the result of more or less extensive insertion of wedges by percussion in the corner zones of the stretcher.

[0003] It is likewise known that all these solutions, while possessing specific advantages, likewise possess disadvantages of various types, some of which they possess in common. In the first place, the fixing of the canvas requires a certain skill, a certain strength and, in any event, a long fixing time. The uniformity of the tensioning of the canvas further depends on the skill of the operator. Not all users, in particular young people, students and ladies, are able to apply the canvas correctly. It is further known that,during the drying of the canvas, following moistening thereof as a consequence of the application of paints or as a result of the absorption of atmospheric humidity, unattractive curvi-linear "crescent" deformations occur along the perimeter edges of the stretcher, between adjacent tacks. The gap or distance between the tacks must on the one hand be sufficiently small to reduce such phenomena and permit uniform tensioning of the canvas, but on the other hand the tacks act like wedges in the stretcher and an excessively short distance between them may result in breakage of the stretcher. During the shrinkage of the canvases on non-expandable stretchers the latter, particularly if of large dimensions, undergo substantial deformations, which, in turn, comprise zones of slackening and the formation of corresponding creases in the canvases.

[0004] It is further known that, in the zones of folding of the canvases in the outer corner zones, three superposed layers of canvas are formed which, in the case of canvases of a certain thickness, for example 1 mm, possess a thickness of 3 mm. Such thicknesses are cumulative on two opposite sides. In expandable stretchers, therefore, their height and width dimensions comprise the height and width values of the stretcher plus said enlargements resulting from the application of the canvas, plus additionally the total stretching or expansion which takes place and which varies from time to time as a function of the type of canvas and of the contractions or dilations thereof. The result of this is that, with equal external dimensions of the stretcher, problems of seating arise, during framing of these expandable stretchers, in the relative seats of the external or picture frames, in that these seats do not have large tolerances, and in fact are made, for reasons of cost, to be increasingly small or permit only small dimensional tolerances of the stretcher. The result, therefore, is that stretchers that are only slightly expanded fall out of the seating of the respective picture frame, while stretchers which are substantially expanded do not even fit into said seatings, as a result of which it is often impossible to use picture frames of standardized dimensions. It has therefore frequently been found that framers are not disposed to welcome these stretchers that expand by means of corner springs. These springs moreover, acting exclusively in the corner zones, cannot provide the same effectiveness in canvases of small dimensions or of large dimensions, such effectiveness obviously diminishing with the increase in the dimensions of the stretcher. The fixing of the canvas with metal staples or tacks further requires that the sides of the stretchers be made of wood. This material is notoriously subject to continuous intrinsic deformations and, in the production of expansion-type stretchers, exhibits substantial wastage, for example of the order of 15-20 %. Such wastage, combined with the need for special working of the ends of the sides of the stretchers and with the need for wedges or springs for resilient pre-stressing, and for the angled corner-pieces, entails high production costs. In practice, furthermore, it is not possible for the user to shorten the lengths of the sides of the stretchers purchased, for example in order to create smaller stretchers, in that this would require the subsequent creation by a craftsman, on the new ends, of the end seatings for the connection of the sides of the stretcher, and of the tensioning springs or wedges. Since, moreover, the artist may select canvases of different types, for example made from linen, cotton, plastic fibre, etc, depending for example on the techniques or paints employed, the practical result is that it is wasteful for the producer and retailer to produce and stock a plurality of finished stretchers of different dimensions and with different canvases. Since such stretchers, once assembled, are somewhat bulky, this entails associated problems of storage, packaging and transport. These perameters, which are naturally also reflected in the selling costs, also determine the most convenient type of sale as a function of the market in question. Therefore in markets covering a large area, for example in the United States, Canada, Australia and the like, such stretchers are offered for sale not in a pre-mounted state but in the form of loose stretcher sides of various dimensions. The artist selects these stretcher sides closest to the dimensions of the picture which he intends to paint, and the canvas is selected separately. After assembly of the stretcher, he fixes the canvas with the tacks or staples, which likewise requires the availability of the appropriate tools. In markets of lesser extent, for example in various European countries, the stretchers are offered for sale in the pre-assembled state and with the canvas fixed thereon, generally boxed in packs of, for example, 6 or 12 stretchers for the retailer. This solution would however entail extremely high costs in the event of transportation over long distances, as mentioned above.

[0005] A further disadvantage of the known expansion stretchers resides in the fact that they can possess only a quadrangular shape, while there is a demand on the market for different forms also, for example oval forms. In these cases, the application of means of tensioning the canvas is impossible, and the user has to fix the canvas in the traditional manner, with tacks or staples. A further disadvantage of the known expansion stretchers resides in the fact that, particularly with large dimensions, they require cruciform inserts in order to stiffen them, the practical efficacy of which is somewhat limited since, as is well known, good stiffening of the canvases is achievable only with corner diagonals.

[0006] It is further stressed that any distribution on major markets of expansion stretchers having right-angled corner-pieces and springs would require them to be marketed in the form of kits containing the various components of the stretcher, which, bearing in mind the relevant number of standardized stretcher dimensions, would require a substantial expenditure not only for the machines automatically producing such packaging, but especially in respect of the relevant number of different packagings necessary, their transportation and their storage by the producer and retailer.

[0007] US-A-4 635 700 discloses a tensioning expandable frame consisting of an inner structure and an outer structure. Both structures are connected, with a clearance, by means of bolts stressed by adjusting springs. On the outer structure and on the inner structure section parallel to the outer structure, the canvas is fixed to the structures by means of tacks. Grommets attached to the canvas receive the hooked ends of springs whose other ends are firmly attached by means of turnbuckles to the inner structure, as well as to the outer structure. The edge regions of the canvas receiving the grommets may form a sleeve containing rigid bars for distribuiting the forces exerted by the springs uniformly along two canvas edge regions.

[0008] This citation has several disadvantages. The stretcher frame requires complicate independent structures (2 structures in the embodiment of figures 1 and 5 and 3 structures in the embodiment of figure 2) with altogether more than the usual 4 frame sides, that is 7 (in the embodiments of figures 1 and 2) and 10 (in the embodiment of figure 5). The disclosed frames are expandable ones, that is in order to compensate canvas deformations the outer movable structure/structures is/are spread apart from the internal structure so that the frame area increases. Therefore said expandable structure frames having a variable area cannot be housed in a picture frame because the means fixing the stretcher in the frame seat would hinder any displacements of the stretcher movable structure(s). Further, the disclosed expandable frame still requires tacks for fixing two opposite edge regions of the canvas to the frame. Therefore on both canvas edges fixed by tacks, a compensation of local canvas deformations or shrinkages requires the removal of the tacks and a subsequent re-affixing of the canvas by means of tacks. Further, also the limited number of springs and the use of rigid bars housed in two opposite canvas sleevs doesn't allow the compensation of local canvas deformations to be carried out. Another drawback is that two canvas edge regions are to be provided with grommets, so that on the one hand the canvas requires several expensive preliminary workings (cutting to measure of the canvas, sawing the canvas sleevs for housing the bars and application of the grommets). On the other hand the fixed arrangement of each spring between a grommet at one end and a fixed anchoring device at the other end hinders a free movement of said springs to other locations around the frame perimeter. From the teaching and the figures of this document it is easily inferable that it would not be possible to provide the suggested spring means on all four external frame sides. Further, the disclosed frames require a considerable number of components, they are very expensive and don't allow the artists to shorten the frame sides, if that should be the case.

[0009] EP-A-0 229 636 discloses a non-expandable frame assembly, comprising frame sections interconnected by means of elbows. On the inner side of the frame sections are provided ridge elements. A canvas is folded around the sections and the ridge elements and then fixed onto the ridge elements by means of a plurality of clips. Fig. 2 shows that said clips are featured on principle as clothing-pins.

[0010] The disclosed invention provides stretcher frame assemblies which are both simple to use and reuse, for instance by students, avoiding the inconveniences of the stretcher frames with canvas mounted thereon by means of tacks or staples. For that purpose the canvas, when mounting the latter on the frame, is positioned totally over said frame ridges and secured thereto by means of said clips. The canvas is pulled totally and clipped to the ridge at a plurality of points along the length of each frame section in order to provide the desired mounting tension to the canvas along this edge thereof. To remove the canvas from the frame, the clips are merely disengaged from the ridge and the canvas and the frame separated. After the stretched canvas is clamped on the stretcher frame both the canvas and the frame are rigidly fixed together. It follows that the constant tension on the canvas per se is unable to compensate automatically possible deformations of the canvas, and that the canvas, due to the clamping thereof on the frame ridges, cannot carry out any sliding movements on the stretcher frame.

[0011] EP-A-0 229 636 provides a skillful solution to mount and remove repeatedly canvas on stretcher frames without tacking or stapling, but it does not set forth or disclose any suggestions for compensating automatically canvas deformations.

[0012] The object underlying the present invention is to create an artists' framing arrangement which is capable of overcoming the inconveniences and disadvantages of the current stretchers forming a part of the prior art, and permits the application of the canvas with resilient pre-stressing on the stretcher frame in a simple and rapid manner, without the use of the known tacks or staples, or in a removable manner, the fixing of the canvas with resilient pre-stressing being achieved by means of resilient elements which are easy to produce and simple to apply, or to remove.

[0013] The abovementioned object includes the production of a non-expandable stretcher of the rigid type, which can be assembled in a simple and rapid manner, employing sides which can be produced from any chosen material, preferably plastic, for example on the basis of extruded profiles and subsequent cutting to size.

[0014] The abovementioned objects are achieved, according to the invention, by means of a sectional artists' framing arrangement, possessing the characterizing features disclosed in Claim 1.

[0015] Further developments and features of the proposed framing arrangement are disclosed in the characterizing parts of the subsequent claims.

[0016] With the artists' framing arrangement according to the invention, numerous substantial advantages are achieved in respect both of the new proposal for tensioning the canvas and the associated resilient elements or springs for resilient pre-stressing, and of the new proposal for producing an advantageous non-expandable stretcher, advantageously composable of plastic profiles, and in respect of the possibility of simplified, low-cost distribution of the stretchers which can be produced according to the teaching of the invention. In respect of the tensioning of the canvas, this is now achieved for the first time with a non-expandable stretcher of rigid type over which the canvas is "pulled" with the aid of resilient means which, at the same time, form the means for fixing the canvas to the stretcher. Since these resilient means, or springs, can be applied in an extremely simple and arbitrary manner, they can be applied without problems by young people, students and ladies alike, as a result of which a substantial widening of the market proves possible, for example into the school and amateur sectors. These springs, whose resilient behaviour is extremely reliable, can be applied manually without the need for any equipment or tools, as a result of which the assembly of the picture can readily and conveniently be carried out at home, or at school or in the open air. For transport, the canvas can easily be removed from the stretcher, which is non-expandable but advantageously capable of being dismantled, and carried for example in the known draughtsman's tubes. The result is that the said stretcher can also be used repeatedly by the artist, or student, as a support for the canvases, with the associated practical advantages. The traction on the canvas is of the continuous type, and furthermore the canvas is under uniform traction over the entire length of the sides of the stretcher. The known "crescent" deformations between adjacent tacks are avoided, and furthermore the perimeter edge of the stretcher is devoid of tacks and staples. Since the stretchers are of the non-expandable type, they possess a constant dimension in terms of bulk, so that such stretchers can be accommodated without difficulty in the appropriate seatings of standardized picture frames. Application and fixing of the canvas take an extremely short time, of the order of a few minutes, and the number of springs applied can be freely selected by the user. Such springs for fixing and resilient pre-stressing the canvas can advantageously be produced in a simple and automatic manner. The proposed non-expandable stretcher of rigid type can advantageously be produced without the use of wooden profiles. The said stretcher can, in fact, advantageously consist of plastic stretcher sides cut from initial extruded profiles which advantageously possess internal ribbings and chambers. For rapid assembly and dismantling, right-angled corner-pieces are advantageously provided to be introduced into such chambers. The latter, after the assembly of the stretcher, are concealed and the stretcher can be dismantled at anytime. The user can thus cut the stretcher sides to the desired size, either starting from the extruded profile or cutting the sides of a larger stretcher, for example acquired in the loose form, together with the canvas and the springs for fixing and pre-stressing the canvas. In practice, the user may acquire separately these springs, the canvas and the stretcher sides, or the appropriate extruded profiles, and the connecting corner-pieces, and may conveniently create his own stretchers to suit requirements. In the case of plastics profiles, the grooves necessary for the engagement of the springs for fixing the canvas are already produced thereon during the act of extrusion. Likewise, the known perimeter projections of the stretcher sides for supporting the canvas with a limited contact with the stretcher front and rear surfaces, as already known in the case of the wooden stretcher sides, are of course likewise made on such plastic profiles as one piece construction. It is further possible to provide resilient spring means engaging directly on two opposite sides of the canvas. This further simplifies the fixing and the resilient pre-stressing thereof.

[0017] The spring elements for fixing, of the type bent substantially at right angles, furthermore advantageously permit the fixing and pre-stressing of the canvas on stretchers of a desired shape, for example oval stretchers. The stretchers can possess dimensions virtually as small as desired.

[0018] A further advantage of the stretcher made from plastics profiles resides in the fact of providing on the stretcher sides, a fixing projection for diagonal stiffening supports for stretchers of large dimensions.

[0019] A further advantage of the resilient pre-stressing springs according to the invention resides in the fact that the artist can select the degree of tensioning of the canvas in a simple manner as a function of the number of springs used and of the elastic pre-stress imparted to each spring. Another important advantage resides in the fact that canvases which have previously been fixed to other stretchers in a traditional manner can be satisfactorily fixed on the proposed stretchers, which is particularly important in the sector of the fine arts, the antique trade and, in particular, restoration. For restorers, in fact, it is extremely important to be able to cut the new stretcher to size in situ and to apply the canvas reliably and rapidly.

[0020] Further advantages, details and features of the sectional stretchers with resiliently pre-stressable canvases according to the invention may be found in the description which follows, with reference to the attached drawings, in which are illustrated a preferred embodiment and a number of variations of the sectional stretcher and of the proposed resilient spring elements for fixing and tensioning the canvas.

[0021] In the drawings, the following are shown diagrammatically or in principle:

Fig. 1 shows a perspective view of a support stretcher with associated canvas, according to the invention, in an oblique frontal view;

Fig. 2 shows a section along the line II-II in Fig 1;

Fig. 3 shows a detail of a corner zone of the stretcher according to the invention, more specifically during an assembly stage;

Fig. 4 shows a perspective view of a spring element for fixing and pre-stressing, according to the invention;

Fig. 5 shows a sectional detail through a side of the stretcher according to the invention, more specifically with an alternative embodiment of a plastics profile for stretchers;

Figs. 6, 7 and 8 show an alternative embodiment of the fixing and pre-stressing spring according to the invention, in a median sectional view and in an internal view along the arrows A and B respectively;

Fig. 9 shows a rear view of a stretcher according to the invention with examples of application of diagonal supports according to the invention;

Fig. 10 shows a detail in the section X-X in the zone of engagement between the diagonal support and stretcher in Fig. 9; and

Fig. 11 shows a perspective view of a further alternative embodiment of the fixing and pre-stressing spring.

[0022] In the various figures, shown on different scales and with dimensional relationships which are convenient for greater clarity of illustration, the artists' framing arrangement or sectional structure with canvas according to the invention is illustrated as a whole at 1. It is substantially formed from three components, more specifically a support structure 2 or stretcher frame, advantageously of the rigid type, a canvas 3 and a plurality of resilient elements 4 serving simultaneously to fix and to tension the canvas 3. The stretcher, in the example illustrated, comprises four stretcher sides 5, which are obtained by simple end cutting at 45° from an extruded plastic profile, for example of the type illustrated in Figs. 2 and 5. Such plastics profile is preferably symmetrical and possesses, for reasons of light weight and greater strength, internal chambers 6 and ribbings 7. Projections 8 serving, in a known manner, to keep the canvas 3 at a distance from the remaining anterior and posterior frontal surface 5a, 5b of the stretcher sides 5 are produced on the external frontal sides of the said plastics profile. The stretcher sides 5 on their internal depthwise side 5c in the assembled state, possess one or more grooves 9 for the engagement of the leaf springs 4, as explained below. In Fig. 5 there is also made on the said internal depthwise side a projection, for example of dovetail type, 10 for anchoring a diagonal reinforcing support 11, to which further reference will be made subsequently. For the convenient and stable assembly of the stretcher sides 5 to form the stretcher 2, angular supports 12 are used (Fig. 3). These possess, for example, a hollow cross-section having at least one deformable side, for example a convex side, in order to guarantee a pressure fit when they are inserted into the chambers 6.

[0023] According to the invention, the fixing and the resilient pre-stressing, or tensioning, of the canvas 3 on the stretcher 2 take place simultaneously by means of the employment of spring elements 4, preferably leaf springs of the type having wings 4a, 4b folded back at an angle of less than 90°, as illustrated in Figs. 4 and 6 - 8. In the wings 4a and 4b illustrated there, apertures 13 are made, the purpose of which is to render the said wings 4a and 4b more resilient and thus to prevent forced opening or spreading of the folded edge 14, which would compromise the resilient behaviour of the spring 4. The latter possesses, in the wider end of the wing 4a, a plurality of pointed teeth 15 folded over approximately orthogonally relative to the said wing 4a, while in the shorter wing 4b the free end 16 is bent over inwards, more precisely in a manner such as to engage in the one or more grooves 9 mentioned above. The teeth 15, for their part, engage into the edge 3b of the canvas 3, folded over along the posterior frontal side 5b of the strips 5, and more specifically at a distance therefrom resulting from the presence of the abovementioned projections 8. In this way, the spring 4, when applied, does not project beyond the said projections 8 and does not increase the bulk of the assembled stretcher 1, so the latter can conveniently be accommodated in the respective frame.

[0024] According to the invention, the springs for fixing and resiliently pre-stressing the canvas 3 may also possess a strip conformation, as shown in Fig. 11. In the said figure, the spring is designated as a whole by 17, and possesses two plate portions 18 provided, on their outer side, with a plurality of teeth 15 as referred to above, the said toothed plate portions 18 being mutually associated by an interposed spring 19, for example a wire-like spring of zig-zag conformation. With this spring 17, two respectively opposite edges 3b of the canvas 3 are each engaged by one toothed portion 18, as indicated in Fig. 9. At the same time, the springs 17, 19 also constitute the means of fixing and tensioning the canvas 3 on the stretcher 2. The spring 19 may also take the form of a strip of rubber or the like.

[0025] The number of springs 4, or 17, may be selected arbitrarily by the user as a function of the dimensions of the picture and of the desired degree of tensioning, or as a function of the desired requirements in each case. Given the selected conformation of the springs 4 and 17, their application, and removal if required, can be performed by the user easily, quickly and safely, without exertion and without special tools. With this new concept of tensioning the canvas 3, the latter comes to bear uniformly along the outer edges 5d and 5e of the stretcher 2, over which edges it is stressed to slip, and in this way the known "crescent" deformations, inevitable with the use of metal clips and tacks, are reliably avoided.

[0026] When use is made of extruded plastics stretcher sides, it is advantageously possible to avoid both wastage during production and subsequent working thereof. Furthermore, by means of the resilient pre-stressing means proposed, the canvas, when moved, slides on the stretcher with favourable dimensional ratios between the active and reactive engagements of the springs, as a result of which deformation and twisting of tie stretcher are reliably avoided.

[0027] In any case, including when the dimensions of the stretchers are large, optimum stiffening thereof is achieved, according to the invention, by the use of efficient diagonal supports, as indicated for example in Fig. 9, which leave free the central area of the canvas. To this end, such diagonals 11 may possess a rigid strip-shaped median portion 20 with end shoes 21, which shoes, at their opposed chamfered ends 22, engage on the outer sides of the profiled projection 10 (Figs. 9, 10). Said shoes are mutually clampable by means of at least one screw 23 and are fixed, for example hinged, as desired, and in a manner not illustrated in greater detail, to the rigid strip-shaped median portion 20. With this arrangement the reinforcing diagonals 11 may possess any desired length, or be cut to the desired length, and may be disposed, for example, as illustrated in Fig. 9. In any case, the abovementioned clamping shoes 21 are freely mobile to slide along the projection 10, as a result of which the length of the diagonals 11 need not be particularly precise. A good pressure fit between the assembly corner-pieces 12 and the chambers 6 of the stretcher sides 5 may also be achieved, for example, by providing pointed ribbings 24 (Fig. 5) or using corner-pieces 12 of a slightly yielding material, for example rubber or the like, for example for use in schools.

[0028] From what has been stated above, it is clearly apparent that, with the sectional stretchers having canvases which can be resiliently pre-stressed by means of spring elements simultaneously acting as fixing and pre-stressing means, the objects on which the present invention is based are effectively achieved and the advantages referred above are obtained. In practice, all the individual parts may be replaced by others which are technically and/or functionally equivalent without, as a result, departing from the scope of protection of the present invention. In respect of the stretcher 2, the said stretcher may readily be produced with stretcher sides of a different kind, or of different material, for example metal, wood, or the like, and similarly the assembly of the sides of the stretcher may be undertaken in the most varied ways, from simple tacking to moulding in one piece construction, again without departing from the scope of protection of the invention. The stiffening diagonals, also, may possess any desired shape, and for example may take the form of simple profiles, for example metal profiles, perforated at their ends, hinge pins being inserted in said perforations and passing respectively into one of a plurality of perforations made in a projection analogous to the projection 10 illustrated above. In view of the simplicity of this operation, it is not illustrated.

[0029] With the proposed solution, therefore, particularly important advantages are obtained relative both to the distribution and to the sale of pictures which can be produced in accordance with the teaching of the invention. In fact, it is now possible to market in loose form extruded profiles for the production of the sides of the stretchers, and also fixing and pre-stressing springs, and also canvases separately, or independently. This dramatically reduces the associated problems of manufacture as also of packaging, transport, storage and sale. The said solution is therefore particularly advantageous for markets covering large and very large areas. Also particularly important is the convenience of using the stretchers with canvases according to the invention in the teaching sector, and the advantageous possibility of being able to apply and remove the canvas with the greatest simplicity, for example for transportation to school, or for fully commercial transport operations. Although optimum results are obtained using the flat spring fixing and pre-stressing means of the type illustrated in Fig. 11, it obviously falls within the scope of the present claims to employ spring means of different conformation, whenever the said means simultaneously perform the fixing action and the action of resiliently pre-stressing a canvas mounted in, as it were, a "slidable" manner over the associated stretcher.

Claims

1. Artist's framing arrangement comprising:

a) non-expandable stretcher frame (2) for supporting a canvas (3), whereby the stretcher frame (2) consists of plastic stretcher sides (5) which are joint at their ends, cut at 45°, by means of the interposition of at least one right-angled or angular support (12),

b) a canvas (3) having a greater surface area than the stretcher frame (2) so as to permit folding over of all the perimetral edges (3b) of said canvas (3) on the posterior side (5b) of the supporting stretcher frame (2),

c) a plurality of spring elements (4, 17) operative for fixing, and thereby tensioning, the canvas (3) on said stretcher frame (2), whereby said spring elements are distributed along the whole perimeter of the stretcher frame (2), and each spring element being selectively positioned at a location on a respective turned-over canvas edge (3b) to exert a constant tensioning force at said location, and whereby each spring element removably secures the canvas (3) on the stretcher frame (2), characterized in that

d) each spring element (4; 17) engages at one end thereof a turned-over canvas edge (3b) and at the other end an adjacent area (5b) of the stretcher frame (2) or an opposite turned-over canvas edge (3b) to exert a continuously acting pre-stressing force on the mounted canvas (3) which slidingly surrounds the stretcher frame.

2. Artist's framing arrangement according to claim 1, wherein the spring elements (4) are removably mounted on the stretcher frame (2) and cooperate with the adjacent turned-over canvas edge (3b), characterised in that each spring element (4) consists of a plate folded back at an angle so as to form two wings (4a, 4b) preferably with apertures (13), their free ends possessing in one case a plurality of teeth (15) for enganging said adjacent turned-over canvas edge (3b) and in the other case a bent mounting flange (16) able to engage on an internal depthwise side (5c) of the stretcher frame (2) preferably in an appropriate grooved seating (9).

3. Artist's framing arrangement according to claim 1, wherein the spring elements (17) are removably mounted on a turned-over canvas edge (3b) and cooperate with the opposite turned-over canvas edge (3b), characterised in that each spring element (17) consists of a pair of plate portions (18) laying in a common plane and interconnected by a spring (19), each plate portion (18) terminating in a plurality of teeth (15) for engaging said one turned-over canvas edge (3b) and said opposite turned-over canvas edge (3b) spaced apart form each other.

4. Artist's framing arrangement according to claim 1, characterized in that the original plastics extruded section, or the individual stretcher sides (5), possess on the internal depthwise side (5c) a profiled projection (10) for fixing of two opposed end shoes (21, 22) of a stiffening diagonal (11), the clamping of which shoes (21, 22) being provided by means of a screw (23) passing through said shoes (21, 22).

5. Artist's framing arrangement according to claim 1, characterised in that said angular supports (12) are produced from a deformable material, for example of hollow section, in metal and/or plastics or ribbings are provided within the seating chambers (6) of said angular supports (12) for the pressure fit coupling of said angular supports (12) in said seating chambers (6).

Ansprüche

1. Spannrahmenanordnung fuer Kuenstler, enthaltend:

a) einen nichtausdehnbaren Rahmen (2) zum Tragen einer Leinwand (3), wobei der Spannrahmen (2) aus Kunststoffspannrahmenschenkeln (5) besteht, die an ihren eine 45gradige-Fase aufweisenden Enden durch Zwischenlegung von jeweils wenigstens einem rechtwinkligen Halter bzw. Winkelhalter (12) miteinander verbunden sind,

b) eine Leinwand (3), deren Flaeche groesser als der Spannrahmen (2) ist, so dass es moeglich ist, alle Umfangsraender (3b) der genannten Leinwand (3) auf die Rueckseite (5b) des Spannrahmens (2) umzubiegen,

c) eine Mehrzahl von Federelementen (4; 17), die das Festlegen und dabei das Festspannen der Leinwand (3) auf dem genannten Spannrahmen (2) bewirken, wobei die genannten Federelemente ueber den ganzen Umfang des Spannrahmens (2) verteilt sind und jedes Federelement in einer Lage auf einen jeweiligen umgebogenen Leinwandrand (3b) zum Ausueben einer dauerhaften Spannkraft in der genannten Lage selektiv angebracht ist, und wobei jedes Federelement die Leinwand (3) auf dem Spannrahmen (2) loesbar festlegt, dadurch gekennzeichnet, dass

d) jedes Federelement (4; 17) mit seinem einen Ende in Eingriff mit einem umgebogenen Leinwandrand (3b) und mit seinem anderen Ende in Eingriff mit der nebenliegenden Flaeche (5b) des Spannrahmens (2) oder mit dem gegenueberliegenden umgebogenen Leinwandrand (3b) zur Ausuebung einer kontinuierlich wirkenden Vorspannkraft auf die angebrachte Leinwand (3) steht, die den Spannrahmen gleitend umgibt.

2. Spannrahmenanordnung fuer Kuenstler nach Anspruch 1, bei der die Federelemente (4) auf den Spannrahmen (2) loesbar angebracht sind und mit dem nebenliegenden umgebogenen Leinwandrand (3b) zusammenwirken, dadurch gekennzeichnet, dass jedes Federelement (4) aus einer rueckwaerts derart winkelig umgebogenen Platte besteht, dass zwei vorzugsweise Oeffnungen (13) aufweisende Fluegel (4a, 4b) gebildet werden, wobei das eine freie Fluegelende eine Anzahl von Zaehnen (15) zum Eingreifen in den genannten nebenliegenden umgebogenen Leinwandrand (3b) aufweist und das andere freie Fluegelende einen gebogenen Montageflansch (16) aufweist, welch letzterer mit einer inneren Dickenseite (5c) des Spannrahmens (2) vorzugsweise in einer dazu vorgesehenen genuteten Sitzflaeche (9) in Eingriff bringbar ist.

3. Spannrahmenanordnung fuer Kuenstler nach Anspruch 1, bei der die Federlemente (17) an einem umgebogenen Leinwandrand (3b) loesbar angebracht sind und mit dem gegenueberliegenden umgebogenen Leinwandrand (3b) zusammenarbeiten, dadurch gekennzeichnet, dass jedes Federelement (17) aus einem Paar von in einer gemeinsamen Ebene liegenden und durch eine Feder (19) miteinander verbundenen Plattenteilen (18) besteht, wobei jedes Plattenteil (18) in eine Anzahl von Zaehnen (15) zum Eingreifen in den genannten umgebogenen Leinwandrand (3b) und in den genannten gegenueberliegenden umgebogenen Leinwandrand (3b) auslaeuft, welche Leinwandraender voneinander beabstandet liegen.

4. Spannrahmenanordnung fuer Kuenstler nach Anspruch 1, dadurch gekennzeichnet, dass das stranggepresste Ausgangskunststoffprofil bzw. die einzelnen Rahmenschenkel (5) auf der inneren Dickenseite (5c) einen profilierten Vorsprung (10) zum Fixieren von zwei gegenueberliegenden Endschuhen (21, 22) einer Versteifungsstrebe (11) aufweist/aufweisen, wobei das Einspannen der genannten Schuhe (21, 22) durch einen die genannten Schuhe (21, 22) durchsetzenden Bolzen (23) erfolgt.

5. Spannrahmenanordnung fuer Kuenstler nach Anspruch 1, dadurch gekennzeichnet, dass die genannten Winkelhalter (12) aus einem verformbaren, z.B. einen hohlen Querschnitt aufweisenden Material aus Metall und/oder Kunststoff hergestellt sind oder innerhalb der die genannten Winkelhalter (12) aufnehmenden Aufnahmekammern (6) Rippen zur Bewerkstelligung eines Preßsitzes der genannten Winkelhalter (12) in den genannten Aufnahmekammern (6) vorgesehen sind.

Revendications

1. Agencement de cadre pour artiste comprenant :

a) un cadre tendeur non expansible (2) pour supporter une toile (3), où le cadre tendeur (2) se compose de côtés tendeurs en plastique (5) qui sont joints à leurs extrémités, coupées à 45°, au moyen de l'interposition d'au moins un support à angle droit ou angulaire,

b) une toile (3) ayant une aire de surface plus grande que le cadre tendeur (2) pour permettre le repliement, de tous les bords périphériques (3b) de ladite toile sur le côté postérieur (5b) du cadre tendeur supportant (2),

c) une pluralité d'éléments formant ressort (4, 17) agissant pour fixer et ainsi tendre la toile (3) sur ledit cadre tendeur (2), de sorte que lesdits éléments formant ressort sont répartis le long de tout le périmètre du cadre tendeur (2) et chaque élément formant ressort étant positionné sélectivement en un emplacement du bord de toile replié respectif (3b) pour exercer une force de tension constante audit emplacement et par quoi chaque élément formant ressort assujettit amoviblement la toile (3) sur le cadre tendeur (2), caractérisé en ce que

d) chaque élément formant ressort (4 ; 17) est en prise, à une extrémité de celui-ci, avec un bord de toile replié (3b) et, à l'autre extrémité, avec une zone adjacente (5b) du cadre tendeur (2) ou avec un bord de toile replié opposé (3b) pour exercer une force de précontrainte, agissant continuellement, sur la toile montée (3) qui entoure, de façon glissante, le cadre tendeur.

2. Agencement de cadre pour artiste selon la revendication 1, dans lequel les éléments formant ressort (4) sont amoviblement montés sur le cadre tendeur (2) et coopèrent avec le bord de toile replié (3b), caractérisé en ce que chaque élément formant ressort (4) consiste en une plaque repliée selon un certain angle de façon à former deux ailes (4a, 4b) de préférence à ouvertures (13), leurs extrémités libres possèdant, dans un cas, une pluralité de dents (15) pour venir en prise avec ledit bord de toile replié adjacent (3b) et, dans l'autre cas, un rebord replié de montage (16) apte à venir en prise avec un côté interne en profondeur (5c) du cadre tendeur (2), de préférence dans une assise rainurée appropriée (9).

3. Agencement de cadre pour artiste selon la revendication 1, dans lequel les éléments formant ressort (17) sont amoviblement montés sur un bord de toile replié (3b) et coopèrent avec le bord de toile replié opposé (3b), caractérisé en ce que chaque élément formant ressort (17) consiste en une paire de portions formant plaque (18) situées dans un plan commun et reliées entre elles par un ressort (19), chaque portion formant plaque (18) se terminant par une pluralité de dents (15) pour entrer en prise avec ledit bord de toile replié (3b) et avec ledit bord de toile replié opposé (3b), espacés l'un de l'autre.

4. Agencement de cadre pour artiste selon la revendication 1, caractérisé en ce que la partie extrudée en matière plastique d'origine ou les côtés tendeurs individuels (5) possèdent, sur le côté interne en profondeur (5c), une saillie profilée (10) pour la fixation de deux patins extrêmes opposés (21, 22) d'une diagonale raidisseuse (11), la fixation serrée desdits patins (21, 22) étant réalisée au moyen d'une vis (23) passant à travers ledits patins (21, 22).

5. Agencement de cadre pour artiste selon la revendication 1, caractérisé en ce que lesdits supports angulaires (12) sont produits à partir d'une matière déformable, par exemple à section creuse, en métal et/ou en matière plastique ou des nervurages sont prévue dans les chambres d'assise (6) desdits supports angulaires (12) pour accouplement à ajustement à pression desdits supports angulaires (12) dans lesdites chambres d'assise (6).

Drawing