(57) The procedure begins with the digitalisation and processing of the images to be transferred
onto the ceramic piece, obtained, for example, from a photograph, to be followed by
a lamination and insolation phase, via photolyte which may be performed once, in the
case of monochrome ornamentations, or various times for polychrome (four colour) ornamentations,
more exactly, once for each colour used. Then a transport solution is used, for example
with the concourse of a serigraphic screen, and after implanting the image into the
ceramic piece and drying, it is fired at a high temperature of approximately 1,050°
C.
PURPOSE OF THE INVENTION
[0001] The present invention refers to a new process for the ornamentation of wall and floor
tiles by making it possible to reproduce any type of design, especially photographic
motifs or images, on them.
[0002] The procedure permits the reproduction of such images in black-and-white as well
as colour.
ANTECEDENTS OF THE INVENTION
[0003] At the present time for the ornamentation of ceramic surfaces the following processes
are employed:
- Single firing: The entire product is heated in the kiln once so that the unfired base
element or bisque receives the enamel using a sprayer and later the decoration, via
a serigraphic screen with a type of fixative being used between screens.
- Double firing: First the base or bisque is fired, and then the coats cited above are
applied. It is then returned to the kiln.
- Third firing: With this option first the bisque is heated, as in the previous case,
and then next, after applying the engobe as in the two previous methods, we proceed
to the enamelling and a new firing phase, with the final decoration being applied
with screens or by hand (by brush), proceeding finally to the "third firing" which
gives the process its name. The decoration in this "third firing" system also tends
to be done by applying pre-decorated treadles over the enamelled ceramic base.
[0004] There has recently appeared a system by which the entire process of glazing, enamelling,
and decoration using rubber rollers or something similar without employing enamel
sprayers or serigraphic screens.
[0005] At any rate, these approaches have their own disadvantages which consist mainly in
the following:
- The surface area of serigraphic screens is very limited since, physically, the holes
where the paste must pass (coloured ceramic + liquid carrier) need to be of large
enough diameter for the paste to flow through with the ensuing danger of that the
orifices become quickly clogged. To mitigate this problem weaves of very few threads
should be used, causing a final image definition that is notably inferior.
- The angling of each serigraphic screen is critical when working with liquid paste,
which tends to expand to some degree after passing through the orifice of the screen,
depending on the diameter of the points of the weave, the density of the paste, and
pressure and speed of the spatula. Other besides inconveniences or defects are also
suffered.
- Defects registering the crosses of each screen over the former, due to the very manufacture
process, i.e., inherent in the process itself.
[0006] Thus, the present technological state in the area of application of the invention
shows an area of difficulty associated mainly with a lack of exact registry and the
consequent impossibility of working with elevated weaves in order to obtain high-quality
photographic images in the generation of weave points and unequal point density and
in the use of larger points in the process, the serigraphic screen, with which still
more point definition is lost, since it is probable that a point of photolyte is found
in the intersection between two threads of the screen making it impossible to obtain
a motif in the serigraphic panel identical to the photolyte.
DESCRIPTION OF THE INVENTION
[0007] The procedure for the ornamentation of wall and floor tiles that the invention proposes
more than satisfactorily resolves the problem mentioned above, insuring the perfect
engraving of the images selected, in black-and-white as well as colour; in glossy
or flat finishes, with maximum durability and resistance.
[0008] For it, and more precisely, in a primary operative phase we proceed, after selecting
the image, to the digitalisation and processing of the same for its photography in
photolyte.
[0009] Next the transfer paper is laminated and insolated through photolyte four-colour
printing. This operation of lamination and insolation should be repeated as many times
as the number of colours to be used in the printing make necessary, according to intention
whether said printing is monochrome or polychrome, as previously mentioned.
[0010] Next, in a third operative stage, a commonly used transport solution is applied and
allowed to dry. The enamelled ceramic support is cleaned, after which it is fired
at a maximum temperature of 1,050° C, a firing phase performed at the same time as
that of the tile so that the image becomes integrated in its enamel surface.
[0011] In agreement with the other characteristics of the invention, the firing curve is
to evolve in the following manner:
[0012] During the first hour the kiln temperature is raised from room temperature to 325°
C. At 2h.45min. a temperature of 700° C is reached. After 30 minutes more, the temperature
reaches 1,050° C, which is maintained for 10 minutes, only to be lowered afterwards
to room temperature for a period of 2h.30min.
[0013] A glossy or flat finish is achieved by incorporating more or less flux into the ceramic
colours so that they melt with more or less facility in order to obtain more or less
brilliance.
PREFERABLE EMPLOYMENT OF THE INVENTION
[0014] According to a preferred example of the practical use of the invention and when dealing
with the ornamentation of wall and floor tiles and with images in colour, the image
to be applied onto the ceramic piece in question is digitised and processed. More
exactly, filming in photolyte at 200 lines per inch, which equals 78.74 points per
cm
2 is done.
[0015] The transfer paper is laminated and insolated by magenta four-print photolyte. The
protective plastic is removed from the treadle sheet to apply the powdered magenta
ceramic colour and the probe or treadle is instantly cleaned with anti-static gauze.
[0016] Next this operation is repeated, i.e., a second lamination and insolation is performed,
following the same process, with cyan photolyte colour, a third with yellow and a
final one with black.
[0017] Afterwards, a commonly used transport solution is applied, either by brush or serigraphic
screen. After drying, the enamelled ceramic support is cleaned. Then the probe or
treadle is submerged in water to loosen the image from the cardboard support. Once
loosened, it is applied onto the ceramic piece, eliminating the water and the air
with a rubber spatula.
[0018] Once again, it is allowed to dry and then fired at high temperature, concretely at
1,050° C in order to fire the colour of the image together with the tile and integrate
the image with the enamel of the latter. More or less flux is incorporated into the
ceramic colours according to the desired gloss.
[0019] When dealing with black-and-white images or sepia, the procedure is exactly the same
as described for obtaining those of colour except that only one phase of lamination
and insolation is carried out, i.e., in black or sepia.
[0020] In obtaining black-and-white images as well as those in colour the firing curve is
the following:
a) 350° C increase in one hour.
b) 700° C increase in 4'45''.
c) 1,050° C for 30 minutes more.
d) Maintenance at 1,050° C for 10 minutes.
e) Reduction to room temperature in 2h.45min.
[0021] As may be deduced from the above, the use of colours capable of supporting the high
temperatures mentioned is necessary in order to achieve greater durability and resistance
in the finish.
[0022] It is not considered necessary to elaborate this description any further for any
expert in the field to understand the achievement of this invention and its advantages.
[0023] The terms in which this memorandum is made should always be taken in the most ample
and least limited sense.
1. Procedure for the ornamentation of wall and floor tiles, which serves the purpose
of transferring all types of images, especially photographic ones, to the same, is
characterised according to the following established operative phases:
- The selected image is digitised and processed into photolyte photography.
- The transfer paper is laminated and insolated via four-print photolyte, eliminating
the plastic protector of the probe or treadle sheet for applying the selected powdered
ceramic colour, followed by cleaning the probe with anti-static gauze.
- A commonly used transport solution is applied. After drying, the enamelled ceramic
support is cleaned, submerging the treadle in water to loosen the image from the support
previous to its application onto the ceramic piece, eliminating the water and air
with a rubber spatula.
- After drying again, it is fired at a high temperature, so that the colour of the
image remains integrated into the enamel of the tile during the firing of the latter.
2. Procedure for the ornamentation of wall and floor tiles according to 1st claim, characterised by, in the case of obtaining polychrome images, the lamination
and insolation phase may be repeated as many times as the number of colours or photolytes
to be executed require.
3. Procedure for the ornamentation of wall and fllor tiles, according to previous claims
characterised by a firing temperature of approximately 1,050° C.
4. Procedure for the ornamentation of wall and floor tiles according to 1st, 2nd and 3rd claims characterised by the fact that the firing curve during firing is such that
it reaches 350° C temperature the first hour, 700° C temperature at two hours and
forty-five minutes (2h.45min.), 1050° C temperature in the thirty (30) following minutes
at which temperature is maintained for ten (10) minutes, and finally return to room
temperature over a period of two hours and thirty minutes (2h.30min.).
5. Procedure for the ornamentation of wall and floor tiles, according to previous claims,
characterised by the fact that the resulting level of gloss is obtained according
to the quantity of flux added to the ceramic colours.