[0001] The present invention relates to retroreflective materials of the type which are
used in chromakeying techniques within the film and television production industries.
[0002] Chromakeying is a technique in which non-spatially related foreground and background
images are combined together to create a single composite image. For example, it is
well known to key or composite a foreground image, for example an actor or presenter,
filmed or recorded in a studio onto a background which has been filmed elsewhere or
has been computer generated. Generally, the foreground image is recorded against an
evenly lit chromakey background and then an image from another source is keyed in
as the background. The background image can, for example be a recorded video camera
image or a computer generated image. The keying can be done, for example, by a chromakeying
device comprising either dedicated hardware or comprising compositing or other software
running on a computing device. Conventionally, the chromakey background is uniform
blue or green coloured background, although in theory any colour could be used.
[0003] The term filming and recording are used in this document to describe any recording
of images, in particular moving images, for example in film recording, television
production, video recording, etc.
[0004] In this document the term chromakey signal refers to the signal derived from image
recording equipment, such as a video camera or a telecine unit, which represents a
foreground image that includes a chromakey background. In television and film production,
it is generally accepted that a chromakey background must be very evenly illuminated
across its entire surface area in order to generate a consistent chromakey signal
which will enable a chromakey device to differentiate between the foreground objects
and the chromakey background. The chromakey signal needs to be consistent for the
chromakeying device to identify the chromakey signal across the entire surface area
of the background.
[0005] Chromakeying techniques may use a background formed by a screen made from a retroreflective
material, for example, retroreflective material sheets fitted or draped over a support.
When retroreflective materials are used in chromakeying, the consistency of the chromakey
signal can be improved through the inherent design of the retroreflective material.
Retroreflective materials have the property of reflecting a substantial proportion
of light incident on it from a range of angles, back to the source, with a substantially
greater intensity than a simple white surface.
[0006] Whilst a retroreflective background will reflect any colour of ambient light, the
illumination of the chromakey background from a source may be of a predetermined key
colour selected for not being predominant in the foreground objects and/or to create
maximum contrast for the chromakey device.
[0007] A commercially available, conventional retroreflective material for chromakeying,
called Chromatte
™, is produced by uniformly coating a fabric with a printing ink containing high refractive
index glass beads, which beads have been hemi spherically coated with a thin layer
of aluminium. However, this method has constraints as regards the maximum level of
reflectivity that can be achieved. This is due to the limitations on the volume of
beads that can be accommodated in the ink, while still enabling the ink to have the
required characteristics for consistent production. In addition, there is a significant
drop off of reflectivity at greater entrance angles β, as is apparent from Table 1
below, which shows reflectivity at an observation angle α of 0.2°:
Table 1
| Entrance Angle β (°) |
Chromatte Reflectivity (cd.lx-1 m-2) |
| 5 |
33.3 |
| 20 |
29.5 |
| 30 |
25.3 |
| 40 |
20.1 |
| 50 |
14.8 |
| 60 |
9.9 |
| 65 |
7.4 |
| 70 |
5.3 |
| 75 |
3.1 |
| 80 |
1.6 |
| 81.5 |
1.2 |
[0008] A problem arises in generating a consistent chromakey signal when a retroreflective
material background includes a substantially vertical back drop and a substantially
horizontal floor surface. There will generally be a significant difference between
the intensity of the chromakey signal reflected back to the camera from the backdrop
to that reflected back from the floor due to the difference in the entrance angle.
This inconsistency in the reflected chromakey signal makes the chromakeying process
difficult.
[0009] In addition it is not possible at present using known retroreflective materials to
simultaneously chromakey both background and foreground objects that are at significantly
different depths with respect to each other within the same television or film set.
During filming, retroreflective materials are generally illuminated by a light source
which is co-incident with the lens of the filming television or film camera. This
means that there is a direct inverse square law correlation between the distance of
a retroreflective material from the light source and the intensity of illumination
of that material. That is, the intensity of illumination of an object at a distance
d from an illuminating source varies according to a 1/d
2 relationship. So the foreground within a television or film set will be illuminated
with a higher intensity than the background, as the background is a greater distance
away from the common light source.
[0010] Where a retroreflective background is used during filming, control over the intensity
of the reflected chromakey signal is maintained by controlling the level of illumination
from the light source. The maintenance of the intensity of the chromakey signal is
required for the chromakeying device to operate effectively. However, the level of
control using the light source is limited. This can be a problem where, for aesthetic
reasons, it is necessary to use a particular camera aperture size for shooting a scene.
The chosen aperture size may then put the chromakey signal beyond the range of control
available by controlling the intensity of the light source and will thus result in
a chromakey signal beyond the range of the chromakey device.
[0011] Finally, when chromakey backgrounds are used in three dimensional motion tracking
systems it is necessary to include tracking markers on the background. This enables
the post production processes to align the movement in the foreground and the background
accurately. There are problems associated with placing tracking markers on a chromakey
background that will allow software to differentiate between the markers and the background
yet still enable a camera to produce a consistent chromakey signal.
[0012] GB2,321,565,
GB2,321,814 and
GB2,338,367 relate to chromakeying technology using retroreflective background materials. However,
it can be difficult to design and produce retroreflective sheeting for use in chromakeying
which is robust and flexible. The materials need to be robust so that they can be,
for example, reused repeatedly, cleaned, repeatedly folded away for storage and transportation
or walked upon. The materials need to be flexible so that they can be draped or fitted
around objects so as to form a suitable background or foreground.
[0013] There are also advantages in having a chromakeying retroreflective material in the
form of an easily portable pack that can be used to erect a chromakey background.
With a traditional blue or green fabric, the creases generated by the continual process
of folding and storage cause problems with the chromakeying process.
[0014] A first aspect of the present invention aims to overcome some of the problems outlined
above so as to enable additional control over the intensity of the reflected chromakey
signal, for example, overcoming the problem of differing distances between retroreflective
materials and the light source illuminating them.
[0015] According to the present invention there is provided a method of preparing a set
design for chromakey filming, according to claim 1.
[0016] The series includes a retroreflective material in which all the transparent elements
have a reflective coating. This enables the series (a library) of retroreflective
materials to be provided, with reflectivity levels calibrated so as to enable different
retroreflective materials be selected to dress different parts of a set in preparation
for chromakey filming.
[0017] In the materials in the series, some of the transparent elements have a reflective
coating and so may contribute to the reflectivity of the material (depending on their
orientation) and the rest of the transparent elements are not coated and so do not
contribute to the reflectivity of the material. By varying the proportion of coated
to non-coated transparent elements, the reflectivity of the material can be adjusted
depending on the end use requirement for that material. This provides an extra degree
of flexibility for existing chromakeying techniques.
[0018] The reflective coating may be a partial reflective coating, in that each transparent
element has a coating which only partially covers its surface area.
[0019] Each retroreflective material in the series may comprise a backing material, a layer
of adhesive covering a surface of the backing material and a plurality of the transparent
elements partially embedded in and bonded to the adhesive. The backing material may
be in sheet form with the adhesive covering a major surface, and may for example be
a sheet of evenly woven cotton fabric. The surface of the backing material onto which
the adhesive is applied is preferably flat.
[0020] The adhesive may be a flexible polymer adhesive, as this will generally result in
a retroreflective material that is flexible, wear resistant and which can be laundered.
The adhesive may be selected from one of the following: a silicone adhesive; an acrylic
adhesive; a polyurethane adhesive, and is preferably curable so as to generate co-valent
cross link bonding within the polymer, to the backing material and to the retroreflective
elements. In addition a black pigment may be added to the adhesive, so that the adhesive
is able to absorb stray light, in particular light directed to it by the non-coated
transparent elements.
[0021] The layer of adhesive preferably has a thickness that is less than half the average
maximum dimension of the transparent elements. If the adhesive layer is too thick
as compared to the dimensions of the transparent elements, the elements can become
too deeply embedded within the adhesive and the adhesive masks the reflective properties
of the coated elements. If the adhesive layer is too thin as compared to the dimensions
of the transparent elements, the adhesive bonding to the elements may be too weak
so as to prejudice the wear resistance and lauderability of the retroreflective material.
[0022] The reflective coating may be applied to the elements so that a continuous surface
of each coated transparent element covering between one third and one half of the
surface area of the transparent element is covered in a reflective coating. In one
embodiment, the transparent elements are substantially spherical glass micro-beads,
in which case the transparent elements may be hemi spherically covered in a reflective
coating. The coating may be a reflective metal, for example aluminium.
[0023] If the retroreflective materials in the series are to maintain a reasonable level
of reflectivity for a range of entrance angles, it is preferred that the coated transparent
elements are not aligned with respect to each other. In particular the coated transparent
elements may be randomly oriented with respect to each other. Retroreflective materials
with this feature will characteristically exhibit a good reflectivity response over
wide angles. Where a retroreflective material with this feature is creased, so long
as the angle that the crease subtends to the source of chromakey illumination, falls
within the specification of the retroreflective material, then the creases will not
cause any problems for the chromakeying process. The retroreflective materials according
to the present invention improve the angularity of response as compared to the commercially
available retroreflective material Chromatte
™. Also in relation to subjects or objects with irregular features such as puppeteers,
in relation to puppet performances. Such a puppeteer dressed in a garment made of
retroreflective material can be more effectively hidden than one dressed in a blue
or green garment.
[0024] The present invention also provides a set design suitable for filming using chromakeying
techniques, comprising a plurality of objects in which different objects are covered
in different ones of the series of retroreflective materials described above. The
different retroreflective materials may be used to cover different objects dependent
on: their distance from a source of chromakeying illumination; their orientation with
respect to a source of chromakeying illumination; and/or their orientation with respect
to a camera. The different retroreflective materials are selected from the series
so that a filming camera receives a consistent chromakeying signal. At least one of
the objects may be a subject, for example a puppeteer, and each subject is covered
in a costume comprising one of the series of retroreflective materials.
[0025] The present invention also provides a set design suitable for filming using chromakeying
techniques, comprising at least one object which is covered in a first retroreflective
material from the series described above, wherein, a second retroreflective material
from the series and made up of a different proportion of coated transparent elements
from the first is applied to the set design as a tracking marker. Preferably, the
reflected chromakey signal from the different materials is separated in intensity
by at least half and preferably by at least one f stop. There needs to be a differentiation
between the reflected chromakey signal from the background and the reflected chromakey
signal from the tracking markers of at least one f stop difference for a tracing marker
to be discriminated from the background. The term 'f stop' refers to an incremental
scale used to calibrate a television or film camera iris. A change of one f stop represents
a halving or doubling of the light falling on the camera image plane. It is also used
to express the increase or decrease of incident light on a subject.
[0026] The invention will now be described by way of example only and with reference to
the accompanying schematic drawings, wherein:
Figure 1 shows a studio set in which a background, foreground figure and floor are
covered in retroreflective material from a series of retroreflective materials according
to the present inventions;
Figure 2 shows a graph of reflectivity measured in cd/lx.m2 against metallised bead percentage, at a 5° entrance angle β; and
Figure 3 shows a cross-sectional view of a close up of a retroreflective material
from a series according to the present invention.
[0027] The present invention provides a series of retroreflective materials, for example
in sheets, with accurately and quantitatively regulated levels of reflectivity. Each
material preferably has fabric-like physical properties, such as tear resistance and
flexibility. The present invention teaches the production of materials with carefully
graded reflectivity over a continuously variable range. Thus, a library of retroreflective
materials with graded levels of reflectivity can be manufactured, so that once the
desired level of reflectivity required for use at a predetermined distance from the
chromakeying illumination and for use at a predetermined entry angle and observation
angle is determined, the grade of material having that reflectivity under those conditions
can be selected for use.
[0028] Using such materials it is possible to tailor the reflectivity level of a retroreflective
material used in a film or television set to match the requirement of any filming
or recording situation. In particular, it becomes possible to create a set using retroreflective
materials with different levels of reflectivity, graded to accommodate different distances
from the camera, different entrance angles of chromakey illumination and different
camera observation angles. The retroreflective materials with different levels of
reflectivity may be chosen such that the reflected chromakey signal received by the
camera from each such retroreflective material used in the set, has a matched intensity
within a predetermined limited range of intensities recognisable by a chromakey device.
[0029] Figure 1 shows a studio set for recording a puppet show. The background (2) is covered
with a retroreflective material having a first reflectivity and the floor (4) is covered
with a retroreflective material having a second higher reflectivity. In addition a
puppeteer (6) is clothed from head to foot in garments made of a retroreflective material
having a third reflectivity lower than the first reflectivity. The puppeteer (6) operates
a puppet (8) and the studio set is occupied by a performer (10) who interacts with
the puppet (8) operated by the puppeteer.
[0030] The performance of the performer (10) and puppet (8) is recorded by a camera (14)
having an aperture (16). The studio set of Figure 1 is illuminated for chromakeying
purposes by a ring of high intensity light emitting diodes (12) of a single colour
arrayed around the camera aperture (16). The image recorded by the camera (14) is
output as a signal incorporating chrominance and luminance information and is passed
to a chromakeying device (18). The chromakeying device (18) may comprise purpose built
hardware or may comprise a computing device on which is run chromakeying or compositing
software. On receiving the signal from the camera (14), the chromakeying device distinguishes
the performer (10) and puppet (8) from the chromakey signal reflected from the combined
retroreflective surfaces including the background (2), floor (4) and puppeteer (6).
The chromakeying device superimposes an independent image (20) of mountain scenery
onto the combined retroreflective surfaces and so the performer (10) and puppet (8)
appear in a composite image (22) generated by the chromakeying device (18) as if they
were in the mountain scene of the independent image (20).
[0031] The background (2) of the set in Figure 1 is covered in a retroreflective material
having a first level of reflectivity R
1, so that the chromakey signal reflected from the background (2) as received at the
camera (14) has an intensity I
1. The puppeteer (6) is dressed in a retroreflective material having a second level
of reflectivity R
2, which is less then R
1, by an amount such that the chromakey signal reflected from the puppeteer (6) as
received by the camera (14) has an intensity I
2 which is close to the intensity I
1 of the chromakey signal reflected from the background (2). To achieve this the reflectivity
R
2 of the material in which the puppeteer (6) is dressed must be less than the reflectivity
of the material in which the background (2) is covered. This is because, the puppeteer
(2) is closer to the source of chromakey illumination, ie. is closer to the ring of
LEDs (12) than the background (2) and so will experience a higher level of illumination
from the LEDs (12) than the background. Also, as the puppeteer (6) is closer to the
camera aperture (16) than the background (2) the reflected chromakey signal from the
puppeteer will not be as attenuated as that reflected back from the background (2).
[0032] The retroreflective material covering the floor (4) is likely to require a level
of reflectivity R
3, which is higher than that covering the background (2). This is because, in general
the reflectivity of a retroreflective material tends to decrease the larger the angle
of incidence or entry β. In fact, the angle β may often exceed the specified performance
angle of a retroreflective material. The angle of incidence or entry angle β, per
point source is the angle between the illumination axis and the reflector axis. The
illumination axis is the line from the effective centre of the light source to the
reflector centre (for example the centre of an individual reflective bead). The reflector
axis is that axis along which light is reflected back by the reflector. The average
angle of incidence of light from the LEDs (12) on the floor (4) will be much higher
than the average angle of incidence of light from the LEDs (12) on the background
(2). In the set shown in Figure 1 the camera (14) is positioned so that it directly
faces the background (2) so that the average angle of light from the LEDs (12) incident
on the background is normal to the background and so the angle β will be close to
zero. Because, reflectivity decreases with increasing angle of incidence β, the floor
covering (4) with a relatively high angle of incidence β will require a higher overall
reflectivity R
3, than the reflectivity R
1 of background covering (2), if the reflected chromakey signal from the floor is to
have an intensity I
3 as received at the camera (14) which is close to the intensity of light I
1 and I
2 of the chromakey signal from the background (2) and the puppeteer (6) as received
at the camera (14). Only if the three light intensities I
1 to I
3 are within a predetermined range, ie. less than one f stop value, preferably less
than one half of an f stop value, will the camera (14) provide a consistent chromakey
signal across the background (2) for the chromakey device (18) to replace this region
of consistency with the background image (20). Ideally, the intensities I
1 to I
3 are as closely matched as possible when the camera (14) is directly facing the background
(2) to take into account variations in reflectivity with incident angle, should the
camera (14) be panned to the left (out of the paper) or right (into the paper) or
up or down.
[0033] The observation angle α is the angle between the illumination axis and the observed
reflected beam.
[0034] The present invention provides a series or library of retroreflective materials of
graduated reflectivity for which the reflectivity level can be calibrated so as to
allow the matching of reflectivity levels from different parts of a set. The library
may include retroreflective materials in which a portion of the transparent elements
are covered in a reflective coating and may include retroreflective materials in which
all of the transparent elements are covered in a reflective coating.
[0035] There is a direct correlation between the entrance angle β and the intensity of the
reflected chromakey signal. This means that the intensity of the chromakey signal
(for a predetermined set distance d between retroreflective material and chromakey
illumination source) can be correlated with the entrance angle β, to provide calibration
data comprising reflectivity values for each retroreflective material at a graduated
range of entrance angles β.
[0036] There is also a direct correlation between the distance d between a retroreflective
material and the chromakey illumination source and the intensity of the reflected
chromakey signal (for a predetermined set angle of incidence β), according to the
inverse square law of light propagation. This means that the intensity of the chromakey
signal can be correlated with the distance d, to provide calibration data comprising
reflectivity values for each retroreflective material for a graduated range of distances
d. It is also possible to extend the calibration data for different reflectivity retroreflective
materials to include a graduated range of distance parameters versus entrance angle
parameters.
[0037] Thus, if a complex irregular surface is required as a backing, particularly if there
are significant differences of depth in the background, then such data would enable
such a background to be constructed from a range of retroreflective materials having
different reflectivity in accordance with the calibration data for these retroreflective
materials. In this way a range of calibrated retroreflective materials can be used
to equalise the reflectivity between foreground and background objects and objects
with surfaces oriented at different angles to the camera so as to achieve the type
of shot described in relation to Figure 1 easily.
[0038] When retroreflective backgrounds are used with 3D tracking systems it is crucial
to include tracking markers. This enables the post production systems to synchronise
the background image movement with that of the foreground camera. In a recording of
a set backed with retroreflective materials it is important that there is differentiation
between the retroreflective background and the tracking markers. Usually a difference
of one f stop is required between the background and the tracking markers. Using the
present invention the tracking markers can be provided as shapes of calibrated retroreflective
material that are within one f stop tolerance that would allow the tracking software
to recognise the markers whilst still enabling the whole background to provide a consistent
chromakey signal.
[0039] The method of production of retroreflective material according to the present invention
increases the overall level of retroreflectivity of the resulting material (30), shown
in Figure 3, by coating the surface of the material, for example fabric (32), with
a mono-layer of close packed, randomly orientated elements. The elements may be glass
micro-beads (34) or micro-prisms. All or a proportion of the elements are partly coated
with aluminium (36) so as to form retroreflective elements. Typically, glass beads
which are hemi spherically coated with aluminium are used as the retroreflective elements.
In Figure 3, all but two of the microbeads shown are coated with aluminium. The level
of reflectivity of the resultant retroreflective material increases as the proportion
of the elements which are retroreflective increases. The retroreflective elements
are randomly oriented on the backing material and so the resultant retroreflective
material maintains high levels of reflectivity even at relatively high entrance angles
β. This is shown in Table 2, for a composition called SC228 in which 100% of the retroreflective
elements are glass micro-beads which are hemi spherically coated with aluminium.
Table 2
| Entrance Angle β (°) |
SC228 Reflectivity (cd.lx-1m-2) |
| 5 |
79.1 |
| 20 |
75.2 |
| 30 |
69.3 |
| 40 |
60.0 |
| 50 |
48.6 |
| 60 |
34.8 |
| 65 |
28.1 |
| 70 |
20.8 |
| 75 |
14.6 |
| 80 |
9.0 |
| 81.5 |
7.0 |
[0040] It can be seen from a comparison of Table 1 with Table 2, that the SC228 has significantly
higher peak reflectivity as compared to the commercially available Chromatte
™. Furthermore, the reflectivity at wider entrance angles β is also maintained as compared
with the Chromatte
™ material. The SC228 material gives around 2.5 times higher reflectivity than Chromatte
™ at an entrance angle β of 20° and around 5.6 times at an entrance angle of 80°, when
the observation angle α is 0.2°. As a consequence of these higher levels of reflectivity
at wider entrance angles β it becomes possible to use a retroreflective chromakeying
system both outdoors and at greater camera distances.
[0041] One method of making such a material is to coat a permanent adhesive layer (38) directly
onto a chromakeying backing material, such as fabric (32), and apply the elements
(34) onto the adhesive in a random orientation. For example, the elements may be glass
micro-beads a proportion of which are made into reflective elements by hemispherically
coating them with aluminium (36). The adhesive (38) is then cured to ensure that the
beads are securely bonded to the backing material (32) and are resistant to abrasion,
etc. There is a linear relationship between the level of reflectivity of the resulting
retroreflective material and the percentage of the elements which are retroreflective
elements. This is shown in Figure 2, which is a graph of reflectivity against metallised
bead percentage, at a 5° entrance angle β and 0.2 observation angle α.
[0042] It is important that if a woven fabric is used to make the retroreflective material
according to the present invention it is as evenly woven as possible. This ensures
a flat and even surface on which to coat the adhesive and micro-beads.
[0043] Preferably, the method of production of the background material is continuous. A
roll of fabric (32) is loaded into a support and is threaded through sets of rollers.
The fabric may, for example, be evenly woven cotton or felt treated with flame retardant,
having a width of typically 1.0m to 1.8m. Where the retroreflective material is required
for flooring, the backing material typically used may be of a rubber or vinyl like
material. The rollers transport the fabric from the support and through the assembly.
A layer of polymer adhesive is applied continuously to the length of fabric by any
suitable method, for example, rotary screen printing, knife coating or gravure printing
as the fabric moves through an application device. The adhesive may, for example be
a non-flammable flexible silicone, acrylic or polyurethane polymer adhesive. The application
device applies the adhesive so as to apply a layer of adhesive which is around half
the diameter of the microbeads. A flexible adhesive is necessary so that the resultant
retroreflective material is flexible, so it can be draped and folded as required.
[0044] The glass micro-beads to be applied to the adhesive layer may, for example be of
a diameter of between 20 to 150 µm, preferably 40 to 90µm and more preferably 60µm.
The thickness of the adhesive should be no more than two thirds of the diameter of
a bead and no less than one third of the diameter of the bead and most preferably
around half the thickness of the bead. If the thickness of the adhesive is too great,
the adhesive covers up too much of the coated beads, thereby reducing retroreflectivity.
If the thickness of the adhesive is too low, the resultant retroreflective material
becomes less durable, as the beads are more likely to become detached from the adhesive
layer.
[0045] Before use in this process, the microbeads undergo a silane treatment. The desired
proportions of microbeads are loaded into a hopper, for example 60%, are hemispherically
coated with aluminium. The remaining 40% are not coated. The coated and uncoated beads
are thoroughly mixed. As the fabric with the adhesive layer applied is passed under
the hopper, the beads are sprinkled onto the adhesive layer. In this way the beads
fall randomly onto the adhesive, with a random 40% to 60% mix of uncoated to coated
beads. Alternatively, the fabric with the adhesive applied can be passed through a
trough containing the desired mixture of coated and uncoated microbeads. Using these
methods, the beads attach to the adhesive with a substantially random orientation,
so that for the metallised beads, the metallised portion of the bead will be oriented
randomly. The fabric with the adhesive and beads on it is then passed through a set
of rollers which press the beads into the adhesive to around half their diameter.
After this the adhesive is cured to ensure covalently bonded cross-linking of the
polymer adhesive, which bonds the microbeads to the fabric. The curing can be caused
by exposure to heat or ultra violet radiation or over longer timescales by ambient
conditions or can be caused by any suitable method for the adhesive used, as is well
known in the art. Then the excess beads that are not adequately embedded within the
adhesive are removed, for example by vibrating the fabric and/or vacuuming the beads
up from the fabric.
[0046] The graph in Figure 2 and the equation representing the linear relationship between
reflectivity (y) and metallised bead percentage (x), as shown in Figure 2, can be
used to calculate the precise ratio of metallised to non-metallised beads required
to give a desired level of retroreflection. For example, to mimic the reflectivity
of the commercially available Chromatte
™, with a reflectivity of 30cd/Ix.m
2, requires the use of a blend of beads only 30% of which are hemispherically coated.
This measurement of reflectivity was made at an observation angle α of 0.2° and at
an entrance angle β of 5°. Similar relationships can be computed at other observation
and entrance angles to suit the circumstances for which the resultant retroreflective
materials are required.
[0047] The precise relationship between reflectivity and the percentage of reflective to
non-reflective elements will depend on, for example the materials used to make the
elements, in particular their refractive index, their size and shape, the coating
material and the proportion of the element coated. Where spherical glass micro-beads
are used as the elements, relevant factors to performance are the optical quality
of the beads, the refractive index of the glass, the diameter of the beads, the nature
and thickness of the adhesive layer and the depth to which the beads are covered in
the adhesive. It has been found that the best results are achieved where the refractive
index of the glass is between 1.8 and 2.2, more preferably 1.9. The bead size can
vary, but the preferred range of diameters is 20µm to 150µm, more preferably between
40µm and 90µm, more preferably 60µm. The beads are preferably as spherical as possible
and of high optical clarity.
[0048] When using retroreflective materials in chromakeying applications it has been found
advantageous to avoid the influence of background stray light. This can be achieved
by using a fabric which is dyed black and which incorporates black pigment in the
adhesive layer. When this is done even small percentages of non-metalised beads are
effective in removing stray light, by transmitting the light to the light absorbing
backing material and adhesive layer.
[0049] In order to meet fire regulations it is important to use a fire retardant fabric
such as Proban treated cotton and to ensure the adhesive material is non-flammable.
[0050] The present invention provides a series of graded retroreflective materials, each
having a different reflectivity. The material may be available in continuous lengths
approximately 1.0 to 1.8m wide, stored on a roll with a length of up to approximately
1000m. Then portions of material of the desired reflectivity can be cut and sewn depending
on the desired characteristics for the set to be dressed.
1. A method of preparing a set design suitable for chromakey filming, the method comprising
the steps of:
(i) providing a series of retroreflective materials with graded and calibrated levels
of reflectivity, wherein each material in the series comprises a plurality of transparent
elements, some of the transparent elements have a reflective coating and each material
in the series has a different proportion of the plurality of transparent elements
which are covered with a reflective coating, as compared to the other materials in
the series, and
(ii) selecting different retroreflective materials from the series to dress different
parts of the set in preparation for chromakey filming such that the reflected chromakey
signal from each such retroreflective material of the set has an intensity within
a predetermined limited range of intensities.
2. A method according to claim 1 wherein the step of providing the series of retroreflective
materials comprises providing a material in which all the transparent elements have
a reflective coating.
3. A method according to claim 1 or claim 2 wherein the reflective coating is a partial
reflective coating.
4. A method according to any one of claims 1 to 3, wherein each material in the series
comprises a backing material, a layer of adhesive covering a surface of the backing
material and the plurality of the transparent elements partially embedded in and bonded
to the adhesive.
5. A method according to claim 4 wherein the backing material is in sheet form with the
adhesive covering a major surface.
6. A method according to claim 4 or 5 wherein the backing material is a sheet of evenly
woven cotton fabric.
7. A method according to any one of claims 4 to 6 wherein the adhesive is a flexible
polymer adhesive.
8. A method according to any one of claims 4 to 7 wherein the adhesive is selected from
one of the following: a silicone adhesive an acrylic adhesive; a polyurethane adhesive.
9. A method according to any one of claims 4 to 8 comprising adding a black pigment to
the adhesive.
10. A method according to any one claims 4 to 9 wherein the adhesive is curable so as
to generate covalent cross linking bonding.
11. A method according to any one of claims 4 to 10 wherein the layer of adhesive has
a thickness that is around half the maximum dimension of the transparent elements.
12. A method according to any one of the preceding claims comprising covering a continuous
surface of each coated transparent element covering between one third and two thirds
of the surface area of the transparent element in a reflective coating.
13. A method according to any one of the preceding claims wherein the transparent elements
are substantially spherical glass micro-beads.
14. A method according to claim 13 wherein the transparent elements are hemispherically
covered in a reflective coating.
15. A method according to any one of the preceding claims wherein the coating is a reflective
metal.
16. A method according to any one of the preceding claims wherein the coated transparent
elements are not aligned with respect to each other.
17. A method according to claim 16 wherein the coated transparent elements are randomly
oriented with respect to each other.
18. A method according to any one of claims 4 to 17 wherein the surface of the backing
material onto which the adhesive is applied is flat.
19. A set design suitable for filming using chromakeying techniques, comprising a plurality
of objects in which different objects are covered in different ones of the series
of retroreflective materials provided and selected according to the method of any
one of claims 1 to 18.
20. A set design according to claim 19 wherein different retroreflective materials are
used to cover different objects dependent on their distance from a source of chromakeying
illumination.
21. A set design according to claim 19 or claim 20 wherein different retroreflective materials
are used to cover different objects dependent on their orientation with respect to
a source of chromakeying illumination.
22. A set design according to any one of claims 19 to 21 wherein different retroreflective
materials are used to cover different objects dependent on their orientation with
respect to a filming camera.
23. A set design according to any one of claims 19 to 21 wherein at least one of the objects
is a subject and each subject is covered in a costume comprising one of the series
of retroreflective materials.
24. A set design suitable for filming using chromakeying techniques, comprising at least
one object which is covered in a retroreflective material from a series of such materials
provided and selected according to the method of any one of claims 1 to 18.
25. A set design suitable for filming using chromakeying techniques, comprising at least
one object which is covered in a first retroreflective material provided and selected
from a series according to any one of claims 1 to 18 and wherein a second retroreflective
material provided and selected from the series made up of a different proportion of
coated transparent elements from the first is applied to the set design as a tracking
marker.
1. Verfahren zur Herstellung eines Set-Designs, das für das Chroma-Key-Filmen geeignet
ist, wobei das Verfahren die folgenden Schritte aufweist:
(i) Bereitstellen einer Reihe von retroreflektierenden Materialien mit abgestuften
und geeichten Niveaus des Reflexionsvermögens, wobei ein jedes Material in der Reihe
eine Vielzahl von transparenten Elementen aufweist, wobei einige der transparenten
Elemente eine reflektierende Beschichtung aufweisen, und wobei ein jedes Material
in der Reihe einen unterschiedlichen Anteil der Vielzahl von transparenten Elementen
aufweist, die mit einer reflektierenden Beschichtung überzogen sind, verglichen mit
den anderen Materialien in der Reihe; und
(ii) Auswählen von unterschiedlichen retroreflektierenden Materialien aus der Reihe,
um unterschiedliche Teile des Sets bei der Vorbereitung für das Chroma-Key-Filmen
fertigzustellen, so dass das reflektierte Chroma-Key-Signal von einem jeden derartigen
retroreflektierenden Material des Sets eine Stärke innerhalb eines vorgegebenen begrenzten
Bereiches von Stärken aufweist.
2. Verfahren nach Anspruch 1, bei dem der Schritt des Bereitstellens der Reihe von retroreflektierenden
Materialen den Schritt des Bereitstellens eines Materials aufweist, bei dem alle transparenten
Elemente eine reflektierende Beschichtung aufweisen.
3. Verfahren nach Anspruch 1 oder Anspruch 2, bei dem die reflektierende Beschichtung
eine teilweise reflektierende Beschichtung ist.
4. Verfahren nach einem der Ansprüche 1 bis 3, bei dem ein jedes Material in der Reihe
ein Trägermaterial aufweist, wobei eine Klebstoffschicht eine Oberfläche des Trägermaterials
bedeckt, und wobei die Vielzahl der transparenten Elemente teilweise im Klebstoff
eingebettet und damit verbunden ist.
5. Verfahren nach Anspruch 4, bei dem das Trägermaterial in Schichtform vorliegt, wobei
der Klebstoff eine Hauptfläche bedeckt.
6. Verfahren nach Anspruch 4 oder 5, bei dem das Trägermaterial eine Schicht aus gleichmäßig
gewebtem Baumwollstoff ist.
7. Verfahren nach einem der Ansprüche 4 bis 6, bei dem der Klebstoff ein elastischer
Polymerklebstoff ist.
8. Verfahren nach einem der Ansprüche 4 bis 7, bei dem der Klebstoff unter einem der
folgenden ausgewählt wird: ein Silikonklebstoff; ein Acrylklebstoff; ein Polyurethanklebstoff.
9. Verfahren nach einem der Ansprüche 4 bis 8, das den Schritt des Hinzufügens eines
schwarzen Pigmentes zum Klebstoff aufweist.
10. Verfahren nach einem der Ansprüche 4 bis 9, bei dem der Klebstoff aushärtbar ist,
um so eine kovalente Vermetzungsbindung zu erhalten.
11. Verfahren nach einem der Ansprüche 4 bis 10, bei dem die Klebstoffschicht eine Dicke
aufweist, die etwa die Hälfte der maximalen Abmessung der transparenten Elemente beträgt.
12. Verfahren nach einem der vorhergehenden Ansprüche, das den Schritt des Bedeckens einer
kontinuierlichen Oberfläche eines jeden beschichteten transparenten Elementes aufweist,
wobei zwischen ein Drittel und zwei Drittel der Oberfläche des transparenten Elementes
in einer reflektierenden Beschichtung bedeckt werden.
13. Verfahren nach einem der vorhergehenden Ansprüche, bei dem die transparenten Elemente
im Wesentlichen sphärische Glasmikrokilgelchen sind.
14. Verfahren nach Anspruch 13, bei dem die transparenten Elemente halbkugelförmig mit
einer reflektierenden Beschichtung bedeckt sind.
15. Verfahren nach einem der vorhergehenden Ansprüche, bei dem die Beschichtung ein reflektierendes
Metall ist.
16. Verfahren nach einem der vorhergehenden Ansprüche, bei dem die beschichteten transparenten
Elemente mit Bezugnahme zueinander nicht ausgerichtet sind.
17. Verfahren nach Anspruch 16, bei dem die beschichteten transparenten Elemente mit Bezugnahme
zueinander wahllos ausgerichtet sind.
18. Verfahren nach einem der Ansprüche 4 bis 17, bei dem die Oberfläche des Trägermaterials,
auf der der Klebstoff aufgebracht wird, flach ist.
19. Set-Design, das für ein Filmen bei Anwendung der Chroma-Key-Verfahren geeignet ist,
das eine Vielzahl von Objekten aufweist, wobei verschiedene Objekte mit verschiedenen
von einer Reihe von retroreflektierenden Materialien bedeckt sind, die entsprechend
dem Verfahren nach einem der Ansprüche 1 bis 18 bereitgestellt und ausgewählt werden.
20. Set-Design nach Anspruch 19, bei dem verschiedene retroreflektierende Materialien
verwendet werden, um verschiedene Objekte in Abhängigkeit von ihrem Abstand von einer
Quelle der Chroma-Key-Beleuchtung zu bedecken.
21. Set-Design nach Anspruch 19 oder Anspruch 20, bei dem verschiedene retroreflektierende
Materialien verwendet werden, um verschiedene Objekte in Abhängigkeit von ihrer Ausrichtung
mit Bezugnahme auf eine Quelle der Chroma-Key-Beleuchtung zu bedecken.
22. Set-Design nach einem der Ansprüche 19 bis 21, bei dem verschiedene retroreflektierende
Materialien verwendet werden, um verschiedene Objekte in Abhängigkeit von ihrer Ausrichtung
mit Bezugnahme auf eine Filmkamera zu bedecken.
23. Set-Design nach einem der Ansprüche 19 bis 21, bei dem mindestens eines der Objekte
eine Person ist, und wobei jede Person in ein Kostüm gehüllt ist, das eines aus der
Reihe der retroreflektierenden Materialien aufweist.
24. Set-Design, das für das Filmen bei Anwendung der Chroma-Key-Verfahren geeignet ist,
das mindestens ein Objekt aufweist, das mit einem retroreflektierenden Material aus
einer Reihe von derartigen Materialien bedeckt ist, die entsprechend einem Verfahren
nach einem der Ansprüche 1 bis 18 bereitgestellt und ausgewählt werden.
25. Set-Design, das für das Filmen bei Anwendung der Chroma-Key-Verfahren geeignet ist,
das mindestens ein Objekt aufweist, das mit einem ersten retroreflektierenden Material
bedeckt ist, das aus einer Reihe entsprechend einem der Ansprüche 1 bis 18 bereitgestellt
und ausgewählt wird, und wobei ein zweites retroreflektierendes Material, das aus
der Reihe bereitgestellt und ausgewählt wird, die aus einem unterschiedlichen Anteil
von beschichteten transparenten Elementen aus dem ersten besteht, auf das Set-Design
als eine Tracking,Markierung aufgebracht wird.
1. Procédé de préparation d'une décoration scénique pour la prise de vues à incrustation
couleur, le procédé comprenant les étapes ci-dessous :
(i) fourniture d'une série de matériaux rétroréflechissants, présentant des niveaux
de réflectivité gradués et calibrés, chaque matériau dans la série comprenant plusieurs
éléments transparents, certains des éléments transparents comportant un revêtement
réfléchissant et chaque matériau dans la série comportant une proportion des plusieurs
éléments transparents, recouverts par un revêtement réfléchissant, différente de celle
des autres matériaux dans la série ; et
(ii) sélection de différents matériaux rétréoréfléchissants dans la série pour établir
différentes parties de la décoration lors de la préparation de la prise de vues à
incrustation couleur, de sorte que le signal d'incrustation couleur de chaque dit
matériau rétroréfléchissant de la décoration présente une intensité comprise dans
un intervalle limité prédéterminé d'intensités.
2. Procédé selon la revendication 1, dans lequel l'étape de fourniture de la série de
matériaux rétroréflechissants comprend l'étape de fourniture d'un matériau dans lequel
tous les éléments transparents comportent un revêtement réfléchissant.
3. Procédé selon les revendications 1 ou 2, dans lequel le revêtement réfléchissant est
un revêtement réfléchissant partiel.
4. Procédé selon l'une quelconque des revendications 1 à 3, dans lequel chaque matériau
dans la série comprend tm matériau de support, une couche d'adhésif recouvrant une
surface du matériau de support, et les plusieurs éléments transparents partiellement
noyés dans l'adhésif et reliés à celui-ci.
5. Procédé selon la revendication 4, dans lequel le matériau de support a la forme d'une
feuille, l'adhésif recouvrant une surface majeure.
6. Procédé selon les revendications 4 ou 5, dans lequel le matériau de support est constitué
par une feuille de tissu de coton à tissage régulier.
7. Procédé selon l'une quelconque des revendications 4 à 6, dans lequel l'adhésif est
un adhésif polymère souple.
8. Procédé selon l'une quelconque des revendications 4 à 7, dans lequel l'adhésif est
sélectionné dans le groupe constitué de : un adhésif à base de silicone ; un adhésif
acrylique ; un adhésif de polyuréthane.
9. Procédé selon l'une quelconque des revendications 4 à 8, comprenant l'étape d'addition
d'un pigment noir dans l'adhésif.
10. Procédé selon l'une quelconque des revendications 4 à 9, dans lequel l'adhésif peut
être durci, de sorte à assurer une liaison à réticulation covalence.
11. Procédé selon l'une quelconque des revendications 4 à 10, dans lequel la couche d'adhésif
a une épaisseur représentant environ la moitié de la dimension maximale des éléments
transparents.
12. Procédé selon l'une quelconque des revendications précédentes, comprenant l'étape
de couverture d'une surface continue de chaque élément transparent revêtu, recouvrant
entre un tiers et deux tiers de l'aire de surface de l'élément transparent d'un revêtement
réfléchissant.
13. Procédé selon l'une quelconque des revendications précédentes, dans lequel les éléments
transparents sont des microbilles de verre pratiquement sphériques.
14. Procédé selon la revendication 13, dans lequel les éléments transparents sont recouverts
de manière hémisphérique d'un revêtement réfléchissant.
15. Procédé selon l'une quelconque des revendications précédentes, dans lequel le revêtement
est constitué par un métal réfléchissant.
16. Procédé selon l'une quelconque des revendications précédentes, dans lequel les éléments
transparents revêtus ne sont pas alignés les uns avec les autres.
17. Procédé selon la revendication 16, dans lequel les éléments transparents revêtus sont
orientés de manière aléatoire les uns par rapport aux autres.
18. Procédé selon l'une quelconque des revendications 4 à 17, dans lequel la surface du
matériau de support sur laquelle l'adhésif est appliqué est plate.
19. Décoration scénique appropriée pour la prise de vues utilisant des techniques à incrustation
couleur, comprenant plusieurs objets, différents objets étant recouverts de différents
matériaux rétroréflechissants de la série, fournis et sélectionnés par le procédé
selon l'une quelconque des revendications 1 à 18.
20. Décoration scénique selon la revendication 19, dans laquelle différents matériaux
rétroréflechissants sont utilisés pour recouvrir différents objets, en fonction de
leur distance par rapport à une source d'éclairage à incrustation couleur.
21. Décoration scénique selon les revendications 19 ou 20, dans laquelle différents matériaux
rétroréflechissants sont utilisés pour recouvrir différents objets, en fonction de
leur orientation par rapport à une source d'éclairage à incrustation couleur.
22. Décoration scénique selon l'une quelconque des revendications 19 à 21, dans laquelle
différents matériaux rétroréflechissants sont utilisés pour recouvrir différents objets,
en fonction de leur orientation par rapport à une caméra de prise de vues.
23. Décoration scénique selon l'une quelconque des revendications 19 à 21, dans laquelle
au moins un des objets constitue un sujet, chaque sujet étant recouvert d'un costume
comprenant un des matériaux rétroréflechissants de la série.
24. Décoration scénique appropriée pour la prise de vues utilisant des techniques d'incrustation
couleur, comprenant au moins un objet recouvert d'un matériau rétroréfléchissant d'une
série de ces matériaux fournis et sélectionné par le procédé selon l'une quelconque
des revendications 1 à 18.
25. Décoration scénique appropriée pour la prise de vues utilisant des techniques à incrustation
couleur, comprenant au moins un objet recouvert par un premier matériau rétroréfléchissant
fourni et sélectionné dans une série selon l'une quelconque des revendications 1 à
18, un deuxième matériau rétroréfléchissant fourni et sélectionné dans la série, comprenant
une proportion d'éléments transparents revêtus différente de celle du premier matériau,
étant appliqué sur la décoration scénique comme marqueur de suivi.