BACKGROUND
[0001] 1. Technical Field
[0002] The embodiments described herein relate to a spherical microphone array, in particular
to a spherical microphone array for use in a modal beamforming system.
2. Related Art
[0003] A microphone array-based modal beamforming system commonly comprises a spherical
microphone array of four or more microphones equally distributed over the surface
of a solid or virtual sphere for converting sounds into electrical audio signals and
a modal beamformer combining the audio signals generated by the microphones to form
an auditory scene representative of at least a portion of an acoustic sound field.
This combination enables picking up acoustic signals dependent on their direction
of propagation. As such, microphone arrays are also sometimes referred to as spatial
filters. Spherical microphone arrays exhibit low- and high-frequency limitations,
so that the soundfield can only be accurately described over a limited frequency range.
Low-frequency limitations essentially result when the directivity of the particular
microphones of the array is poor compared to the wave-length and the high amplification,
necessary in this frequency range, which leads to a high amplification of (self) noise
and thus to the need to limit the usable frequency range up to a maximum lower frequency.
High-frequency issues can be explained by spatial aliasing effects. Similar to time
aliasing, spatial aliasing occurs when a spatial function, e.g., the spherical harmonics,
is under-sampled. For example, in order to distinguish 16 harmonics, at least 16 microphones
are needed. In addition, the positions and, depending on the type of sphere used,
the directivity of the microphones are important. A spatial aliasing frequency characterizes
the upper critical frequency of the frequency range, in which the spherical microphone
array can be employed without generating any significant artifacts. Reducing the unwanted
effects of spatial aliasing is widely desired.
SUMMARY
[0004] A spherical microphone array for use in a modal beamformer system is disclosed that
comprises a sound-diffracting structure having a closed three-dimensional shape; at
least four cavities in the perimeter of the diffracting structure; and a microphone
disposed in or at the ends of respective ones of the cavities, where the at least
four cavities are shaped to form both a spatial low-pass filter and a focusing element
so that sound entering the cavities in a direction perpendicular to the perimeter
of the diffracting structure at the position of the microphone(s) is collected and
transferred to the microphone(s) with the least attenuation, whereas signals entering
from other directions are attenuated by diffraction.
[0005] Other systems, methods, features and advantages of the invention will be, or will
become, apparent to those skilled in the art upon examination of the following figures
and the detailed description. It is intended that all such additional systems, methods,
features and advantages be included within this description, be within the scope of
the invention, and be protected by the following claims.
BRIEF DESCRIPTION OF THE DRAWINGS
[0006] The invention can be better understood with reference to the following drawings and
description. The components in the figures are not necessarily to scale, emphasis
instead being placed upon illustrating the principles of the invention. Moreover,
in the figures, like reference numerals designate corresponding parts throughout the
different views.
FIG. 1 is a schematic diagram of an exemplary microphone array for use in a modal
beamformer system;
FIG. 2 is a three-dimensional view of an alternative diffracting structure corresponding
to the sphere shown in FIG. 1 having the shape of a truncated icosahedron;
FIG. 3 is a cross-sectional view of the cavity of FIG. 1 shaped as an inverse spherical
cap 10 with a sound-reflective surface;
FIG. 4 is a three-dimensional view of the spherical cap of FIG. 3 as a portion of
a sphere cut off by a plane;
FIG. 5 is a cross-sectional view of the cavity of FIG. 1 shaped as an inverse paraboloid;
FIG. 6 is a cross-sectional view of the cavity of FIG. 1 having an alternative inverse
paraboloidal shape; and
FIG. 7 is a three-dimensional view of the cavity shown in FIG. 6.
DETAILED DESCRIPTION
[0007] FIG. 1 is a schematic diagram of an exemplary array 1 of microphones 4 (herein referred
to as microphone array 1) for use in a modal beamformer system 2 that further includes
a beamformer unit 3 connected downstream of the microphone array 1. Microphones 4
may be disposed in a regular fashion over the surface of the rigid sphere. Modal beamformer
3 may include a decomposer (also known as eigenbeam former), steering unit, compensation
unit, and summation unit. Each microphone 4 of microphone array 1 generates an audio
signal that is transmitted to modal beamformer unit 3 via some suitable (e.g., wired
or wireless) connection.
[0008] For example, microphone array 1 may comprise 32 microphones 4 mounted in cavities
5 arranged at the surface of an acoustic rigid sphere 6 in a "truncated icosahedron"
pattern serving as a diffracting structure. There exist only five possibilities to
divide the surface of a sphere into equal areas. These five geometries, which are
known as regular polyhedrons or Platonic solids, consist of four,six, 12, and 20 faces,
respectively. Another geometry that comes close to a regular division is the truncated
icosahedron, which is an icosahedron with vertices cut off (thus, the term "truncated").
This results in a solid consisting of 20 hexagons and 12 pentagons. Other possible
microphone arrangements include the center of the of an icosahedron faces (20 microphones)
or the center of the edges of an icosahedron (30 microphones).
[0009] An alternative diffracting structure corresponding to the sphere shown in FIG. 1
and having the shape of truncated icosahedron 7 is schematically shown in FIG. 2.
In particular, truncated icosahedron 7 is configured to carry 32 microphones and includes
icosahedron 8 (Platonic solid with 20 faces) and dodecahedron 9 (Platonic solid with
12 faces). Such an arrangement, where the 12 pentagon's of dodecahedron 8 are placed
at the poles of a sphere (six at each pole) and the residual 20 hexagons are placed
around the equator, leading there to a somewhat higher sensor-density there, provides
higher accuracy in acoustical applications since humans also have a higher localization
accuracy in the horizontal plane than in the vertical plane.
[0010] In general, the more microphones used, i.e., the lower the inter-microphone distance,
the higher the upper maximum frequency will be. On the other hand, the cost increases
with the number of microphones. The upper maximum frequency, also known as spatial
aliasing frequency f
Alias as set forth in Equation (1), characterizes the upper critical frequency of the frequency
range in which the spherical microphone array can be employed without generating any
significant artifacts.

in which c is the speed of sound, d
Mic is the angular distance between two microphones of the array, a is the radius of
the sphere of the microphone array and γ
Mic is the differential angle of two microphones.
[0011] In the arrangement shown in FIG. 1, each microphone 4 positioned at the center of
a pentagon has five neighbors at a distance of 0.65a, where a is again the radius
of sphere 6. Each microphone 4 positioned at the center of a hexagon has six neighbors,
of which three are at a distance d
Mic of 0.65a and the other three are at a distance of 0.73a. Applying the sampling theorem
(d
Mic <λ/2, λ being the wavelength) and taking the worst case, the maximum frequency is
given by Equation (2) as follows:

[0012] For a common sphere in which the microphones are arranged on its surface and not
in cavities, this results, for example, in an upper frequency limit of 4.7 kHz when
radius a = 5cm. In practice, a slightly higher maximum frequency can be expected since
most microphone distances are less than 0.73a, namely 0.65a. The upper frequency limit
can be increased by reducing the radius of the sphere. On the other hand, reducing
the radius of the sphere would reduce the achievable directivity at low frequencies.
[0013] One way of improving spherical microphone arrays is to make the microphones more
directive. The theory behind this is that the directivity of each sensor should be
as close as possible to the desired mode (eigenbeam), which corresponds to high-degree
harmonics having a null contribution. A more directive sensing can be obtained, locating
omnidirectional microphones at the end of cavities within the sphere as disclosed
in
US patent application publication 2007/0110257A and in Nicolas Epain and Jerome Daniel's paper, "Improving Spherical Microphone Arrays",
presented at the 124th Convention of the Audio Engineering Society, 2008 May 17-20,
Amsterdam, The Netherlands.
[0014] Another approach to preventing the microphone from receiving the high-degree spherical
harmonics is to use spatial low-pass filtering, i.e., to make the microphones less
sensible to fast variations of the sound field over the surface of the sphere. This
is possible if each microphone of the array is able to measure the sound field on
an extended area around its angular position. This can be achieved by using larger-membrane
microphones. These microphones integrate the pressure variations over their membranes,
which can be seen as spatial low-pass filtering.
[0015] In the microphone array described herein, cavities 5 are shaped to form both a spatial
low-pass filter and a focusing element so that sound entering the cavities from a
direction perpendicular to the perimeter of the sphere is collected and transferred
to the microphone(s) with the least attenuation. Low-pass filtering may be provided,
for example, by cavity shapes whose opening areas are larger than the membrane areas
of the microphones. Focusing may be achieved by cavity shapes that concentrate acoustic
waves coming in to the cavity along an axis perpendicular to the perimeter of the
sphere, at a particular point where the respective microphone is to be arranged. Waves
coming in from directions other than perpendicular are reflected (diffracted) by the
walls of the cavity, so they do not make their way to the microphone disposed in the
cavity.
[0016] FIG. 3 shows cavity 5 shaped as an inverse spherical cap 10 with a sound reflective
surface. As depicted in FIG. 4, a spherical cap 11 is a portion of a sphere 12 cut
off by a plane 12. If plane 13 passes through the center of sphere 12 so that the
height of the cap is equal to the radius of the sphere, the spherical cap is called
a dome or hemisphere. Accordingly, the inverse cap 10 is the cavity into which cap
11 fits. At the bottom of the inverse cap 10, i.e., at the end of cavity 5, microphone
4 is disposed, which may be an omnidirectional microphone with a large membrane. The
diameter 2r
o (area) of the cavity's front opening is e.g., more than two times larger than the
diameter 2r
m (area) of microphone 4's membrane.
[0017] FIG. 5 shows cavity 5 shaped as an inverse paraboloid 14, also known as a circular
parabola, with a sound-reflective surface. Its shape is part of a circular paraboloid,
that is, the surface generated by a parabola revolving around its axis. The reflective
inverse paraboloid 14 transforms an incoming plane wave traveling along the axis of
the inverse paraboloid 14 into a spherical wave converging toward a focal point where
microphone 4 is disposed.
[0018] The dimensions of a symmetrical paraboloid are related by Equation (3):

where F is the focal length, D is the depth of the paraboloid (measured along the
axis of symmetry from the vertex to the plane of the rim), and r
o is the radius of the rim (half of the diameter 2r
o of the rim).
[0019] FIG. 6 is a cross-sectional view of cavity 5 having an alternative inverse paraboloidal
shape 16 whose depth D is larger than the diameter 2r
o of the rim (D > 2r
o), in contrast to the previous examples where D < 2r
o. A three-dimensional view of cavity 16 of FIG. 6 is shown in FIG. 7.
[0020] While exemplary embodiments are described above, it is not intended that these embodiments
describe all possible forms of the invention. The words used in the specification
are words of description rather than limitation, and it is understood that various
changes may be made without departing from the spirit and scope of the invention.
Additionally, the features of various implementing embodiments may be combined to
form further embodiments of the invention.
1. A spherical microphone array comprising:
a sound-diffracting structure having a closed three-dimensional shape;
at least four cavities in the perimeter of the diffracting structure; and
a microphone disposed in or at the ends of respective ones of the cavities, where
the at least four cavities are shaped to form both a spatial low-pass filter and a
focusing element so that sound entering the cavities in a direction perpendicular
to the perimeter of the diffracting structure at the position of the microphone(s)
is collected and transferred to the microphone(s) with the least attenuation, whereas
signals entering from other directions are attenuated by diffraction.
2. The sensor array of claim 1, wherein the cavities are shaped as inverse spherical
caps.
3. The sensor array of claim 2, wherein the microphones are disposed at the end of the
cavities shaped as inverse spherical caps.
4. The sensor array of claim 1, wherein the cavities are shaped as inverse circular paraboloids.
5. The sensor array of claim 4, wherein the microphones are disposed at the focal points
of the cavities shaped as paraboloids.
6. The sensor array of any of claims 1 through 5, wherein the diffracting structure is
a rigid sphere.
7. The sensor array of any of claims 1 through 5, wherein the diffracting structure includes
the form of a Platonic solid or a combination of at least two Platonic solids.
8. The sensor array of claim 7, wherein the diffracting structure includes the form of
an icosahedron, a dodecahedron or a combination thereof.
9. The sensor array of any of claims 1 through 8, wherein the microphones are omni-directional
microphones.
10. The sensor array of any of claims 1 through 9, wherein the walls of the cavities are
configured to reflect sound.
11. The sensor array of any of claims 1 through 10, wherein the microphones have a membrane
with a first diameter and the cavities have an opening with a rim of a second diameter,
the first diameter being smaller than the second diameter.
12. The sensor array of claim 11, wherein the first diameter is smaller than half of the
second diameter.
13. The sensor array of any of claims 1 through 12, wherein each microphone is disposed
in a regular fashion over the surface of the sphere.