FIELD OF THE INVENTION
[0001] The present invention is directed to a stringed musical instrument such as a guitar,
violin or banjo having a hollow or semi-hollow body for producing and controlling
sound from two separate sound boards disposed on opposite sides of the musical instrument
using only a single set of strings interconnecting a bridge on each sound board through
the hollow interior of the musical instrument and a method of constructing a stringed
musical instrument having a hollow or semi-hollow body for producing and controlling
sound from each of two sound boards disposed on opposite sides of the body of the
musical instrument using a single set of strings interconnecting a bridge on each
sound board through the hollow interior of the musical instrument.
BACKGROUND OF THE INVENTION
[0002] Conventional stringed musical instruments which have a hollow or semi-hollow body
generate musical tones by strumming or plucking strings stretched over a bridge and
saddle mounted on the sound board corresponding to the anatomical front of the musical
instrument. Sound is produced by the vibration of the strings and transmitted from
a bridge assembly, mounted upon the sound board, throughout the body of the musical
instrument and exits through a sound hole in the musical instrument, generally located
in the anatomical front sound board and usually underneath the strings.
[0003] In an acoustical guitar the hollow interior of the body forms an acoustical resonant
enclosure which enhances and amplifies the sound generated from the sound board. The
sound board of the musical instrument is conventionally understood to represent the
top or front of the instrument. The rear or back of the guitar is not considered to
have much, if any, significance relative to the overall sound generated by the musical
instrument and, as such, little attention is given to the wood used in the construction
of the rear board of the guitar. The front and rear boards are connected to the body
of the instrument along the sides thereof to fully enclose the body surrounding the
hollow interior. As explained above, the front board is recognized as the sound board
of an acoustical guitar and is composed of expensive tone woods such as, for example,
spruce and/or red cedar whereas the rear board is typically composed of inexpensive
wood or other material. The front and rear boards of a conventional acoustical guitar
usually includes ribs on the inner side of each board facing the interior of the guitar
to add to the structural strength of each board respectively. However, in most cases,
no structural support exists between the front and rear boards of a conventional acoustical
guitar other than the support provided by the sides connecting the front to the rear
board.
[0004] It has been discovered in accordance with the present invention that the sound produced
from a stringed musical instrument can be enhanced by simultaneously utilizing both
sound boards inclusive of both the front sound board and the rear sound board of the
guitar for generating sound independent of one another utilizing a single set of guitar
strings to interconnect the front sound board to the rear sound board through the
interior of the guitar. This is accomplished in accordance with the present invention
using a dual bridge and saddle assembly which includes a first bridge and saddle mounted
on the front sound board of the musical instrument and a second bridge and saddle
mounted on the rear sound board with a single set of guitar strings interconnecting
the first bridge and the second bridge through the hollow interior of the guitar.
The dual bridge and saddle assembly should preferably also include support posts connected
between the first bridge and the second bridge through the interior of the guitar
for providing additional structural support for the guitar between the front sound
board and the rear sound board respectively and provide support due to any compromise
of support from the presence of the dual bridge
[0005] By vibrating the common set of strings extending between the two sound boards, sound
is transmitted from both the front and rear sound boards of the musical instrument
throughout the musical instrument interior to generate a composite of acoustical sound
having an intensity and frequency range greater than the intensity and frequency range
otherwise generated from an acoustical guitar with the guitar strings connected only
to the front sound board. Moreover, sound is further enhanced by coupling each sound
board to its own separate sound (pre)amplifier and/or amplifier, which enables the
sound produced from each sound board to be independently and separately controlled.
[0006] It is also preferred in accordance with the present invention, but not essential,
that at least one of the sound boards, preferably the front sound board, include at
least one sound port, in addition to the conventional sound hole, through which sound
can exit from the guitar independent of the sound hole. The sound port may be located
in the general vicinity of the sound hole and should comprise a hollow member of any
desired geometry, preferably a tube adapted to be inserted through an opening formed
in one of the sound boards, preferably the front sound board, with the hollow member
having a length extending from the front sound board to a location within the hollow
body of the instrument equal to 5% to 95% of the distance between the front sound
board and the rear sound board and forming an opening through the front sound board
of any desired size dimension preferably a round in geometry. By varying the extended
length of the sound port within the interior of the guitar i.e., selecting a desired
length from various different lengths each within the desired range depending on the
sound intended the sound port can be tuned to different desired frequency ranges proportional
to the resonant frequency of the guitar, e.g. to possess a higher and/or lower frequency
spectrum corresponding to a treble or bass sound range different from the frequency
spectrum of the sound exiting the sound hole thereby creating a greater dynamic frequency
range produced by the musical instrument.
[0007] In addition, particularly when a sound port is added to the musical instrument, it
is also preferable to include one or a plurality of panels in the body of the musical
instrument connected between the front sound board and the rear sound board to funnel
sound toward the sound port(s). The panel(s) should be arranged to lie between each
sound port and the sound hole, generally but not limited to the upper bout of the
guitar and extend preferably up to the neck of the guitar or may interconnect with
another panel near the neck of the guitar. In this arrangement, the panels cause sound
to be directionally funneled to each sound port and thereby exit the sound port(s)
in addition to sound exiting the sound hole. Since the panel(s) are connected between
the front and rear sound boards, the panel(s) will inherently provide structural support
between the front and rear boards of the guitar serving as an alternative to the current
standards and use of ribs on the front and/or rear sound boards in addition to support
provided by use of the support posts in the dual bridge and saddle assembly.
SUMMARY OF THE INVENTION
[0008] The stringed musical instrument of the present invention comprises a body having
a first sound board representing the front surface thereof, a second sound board representing
the rear surface thereof, a common hollow or semi-hollow interior extending between
the first sound board and the second sound board, and a dual bridge and saddle assembly
extending between the first sound board and the second sound board with the dual bridge
and saddle assembly comprising a first bridge and saddle mounted upon the first sound
board, a second bridge and saddle mounted upon the second sound board and a single
set of strings interconnecting the first bridge and the second bridge of the dual
bridge and saddle assembly through the common interior of the musical instrument.
[0009] The present invention also broadly encompasses a method of constructing a stringed
musical instrument, having a body with a hollow or semi-hollow interior, a front and
rear sound board disposed on opposite sides of the interior, a single set of strings
and a dual bridge and saddle assembly including a first bridge and saddle for the
front sound board and a second bridge and saddle for the rear sound board comprising
the steps of mounting the first bridge in the dual bridge and saddle assembly upon
the front sound board, mounting the second bridge in the dual bridge and saddle assembly
upon the rear sound board, and stringing said single set of strings to the musical
instrument such that the strings extend between the first bridge and the second bridge
through the interior body of the musical instrument for generating sound from each
sound board respectively. Preferably, the method further includes structurally connecting
the first bridge to the second bridge in the dual bridge and saddle assembly using
support posts for providing structural support between the front and rear sound boards
respectively.
BRIEF DESCRIPTION OF THE DRAWINGS
[0010] Other advantages of the subject invention will become apparent from the following
detailed description of the invention when read in conjunction with the accompanying
drawings of which:
Fig. 1 is an anatomical front view of an acoustical guitar constructed with a dual
bridge and saddle assembly in accordance with the present invention;
Fig. 2 is an anatomical rear view of the guitar shown in Figure 1;
Fig. 3 is an anatomical left side view the guitar of the present invention shown in
figure 1;
Fig. 4 is an anatomical right side view of the guitar shown in figure 1;
Fig. 5 is an anatomical end view of the guitar shown in figure 1 from the headstock
top end of the guitar;
Fig. 6 is an anatomical end view of the guitar shown in figure 1 from the lower bout
corresponding to the bottom end of the guitar;
Fig. 7 is an anatomical perspective view of the guitar of the present invention shown
in figure 1, using dotted lines, for diagrammatically illustrating the placement of
a panel between each sound port and the sound hole of the guitar and further illustrating,
through use of dotted lines, the two preamps mounted on one side of the guitar and
the connection between the sound pickup device mounted in each bridge of the dual
bridge and saddle assembly and each preamplifier and the external connection between
each of the two preamps and an amplifier;
Fig. 8A is an anatomical cross sectional view of the guitar of the present invention
taken along the lines 8A-8A shown in figure 7;
Fig. 8B is an exploded anatomical view in perspective of the guitar shown in figure
7 from the rear side thereof, showing the guitar divided into two halves with the
dual bridge and saddle assembly shown spaced apart from each half of the guitar and
in addition, showing a sound port in each half of the guitar on opposite sides thereof
and a straight panel disposed between each sound port and the sound hole in the guitar
for funneling or venting sound through each sound port;
Fig. 9A is another exploded anatomical view of the guitar of the present invention
shown in figure 8B illustrating an alternate embodiment of the panels of the invention
shown in figure 8B having an "S" shaped geometry as opposed to being straight;
Fig. 9B is an exploded anatomical perspective view of the dual bridge and saddle assembly
shown in figures 8B and 9A illustrating the stringing of the set of guitar strings
through the interior of the guitar between each bridge in the dual bridge and saddle
assembly and further illustrating the arrangement and geometry of the saddle over
which the guitar strings are strung for each bridge in the dual bridge and saddle
assembly of the present invention;
Fig. 10 is a perspective view of a preferred embodiment of one saddle assembly adapted
to be mounted in the dual bridge and saddle assembly shown in figure 9B and forming
a single integrated unit including a saddle and a sound pickup device imbedded in
the saddle;
Fig. 11 is a cross sectional view of the integrated saddle and imbedded sound pickup
device shown in figure 10 taken along the lines 11 - 11 in figure 10; and
Fig. 12 is another exploded perspective view of the dual bridge and saddle assembly
in the guitar of the present invention shown in figure 8B illustrating how each string
in the set of guitar strings is pegged to the second bridge mounted upon the rear
sound board of the guitar and further illustrating how the set of guitar strings are
strung to interconnect the second bridge in the rear sound board to the first bridge
the front sound board.
DETAILED DESCRIPTION OF A PREFERRED EMBODIMENT
[0011] All of the drawings are directed to the preferred embodiment of the invention and
emphasize selected versions of the present invention without the intent of limiting
the scope of the invention.
[0012] The musical instrument of the present invention is illustrated by an acoustical guitar
10 as shown in figures 1-9 inclusive, representing the preferred embodiment thereof.
The acoustical guitar 10 comprises a body 11 which includes a front sound board 12
as shown in figure 1, a rear sound board 14 as shown in figure 2 and a dual bridge
and saddle assembly 16 as more specifically shown in figures 8A, 8B, 9A, 9B and 12
respectively, which extends through the hollow or semi-hollow interior 18 of the body
11 from the front sound board 12 to the rear sound board 14 of the guitar 10. The
guitar 10 has sides 13, as shown in figures 3, 4 and 6, connecting the front sound
board 12 to the rear sound board 14 to fully enclose the body of the guitar 10.
[0013] The dual bridge and saddle assembly 16, shown in figure 8A extending between the
front and rear sounds boards 12 and 14, comprises a first bridge 20 mounted upon the
front sound board 12, a second bridge 22 mounted upon the rear sound board 14, support
posts 23 and 24 which interconnect the first bridge 20 to the second bridge 22, a
saddle assembly 30, adapted for insertion within a slot 34 in the first bridge 20
as shown in figure 9B and a saddle assembly 31 adapted for insertion within a slot
40 the second bridge 22.
[0014] A single set of strings 33, of custom or extended length, extend from the headstock
19, which represents the top end of the guitar 10, along the neck 17 of the guitar
10 to the first bridge 20, mounted upon the front sound board 12, and from the first
bridge 20 to the second bridge 22, mounted on the rear sound board 14, through the
hollow interior 18 within the body 11 of the guitar 10. One end of each string in
the set of guitar strings 33 is connected to tuning knobs 15 in the headstock 19 and
the opposite end of each string in the set of strings 33 is pegged to the second bridge
22 so that the set of strings 33 interconnect the first bridge 20 to the second bridge
22 through the interior 18 of the guitar 10. The set of strings 33 are preferably
strung starting from the pegged location in the second bridge 22 on the rear sound
board 14 over a saddle 48 inserted into the second bridge 22 to the first bridge 20
over a saddle 44 into the first bridge 20 from whence the set of strings 33 continue
along the neck 17 of the guitar 10 to the tuning knobs 15 as will be further described
in connection with figures 9B and 12
[0015] The support posts 23 and 24 in the dual bridge and saddle assembly 16 function to
support and secure the upper sound board 12 in the guitar 10 to the rear sound board
14 so that neither the front and/or rear sound boards 12 and 14 collapse from too
much tension in stringing the guitar strings 33. However, it should be understood
that the use of the support posts 23 and 24 is preferred but is not critical to the
invention since structural support to prevent collapse of either the front or rear
board 12 and 14 relative to one another is obtainable using other support members
between the front sound board 12 and the rear sound board 14 independent of the support
posts 23 and 24 in the dual bridge and saddle assembly 16 as, for example, will become
apparent later in the description in connection with the incorporation of panels 80
and 82 in conjunction with the use of sound ports 70 and 72, respectively. The support
posts 23 and 24 in the dual bridge and saddle assembly 16 are preferably disposed
at an inclined angle between the front sound board 12 and the rear sound board 14,
as is shown in figure 8A, with the upper sound board 12 positioned slightly forward
toward the neck 17 of the guitar 10 relative to the position of the rear sound board
14. This arrangement relieves some of the tension in the set of guitar strings 33
during tuning of the guitar 10. The support posts 23 and 24 may be constructed of
any desired material composition preferably a wood or wood substitute composition
and may have any desired geometrical shape including, for example, a square, rectangular,
or cylindrical shape.
[0016] The first bridge 20, in the dual bridge and saddle assembly 16 as shown in figures
1 and 9B, comprises a slot 34 into which the saddle assembly 30 is inserted and includes
a plurality of openings 35 through which the guitar strings 33 are strung with the
number of openings 35 corresponding to the number of guitar strings 33 such that for
example, if the guitar 10 has six guitar strings 33 the first bridge 20 will have
six openings 35. The openings 35 in the first bridge 20 are aligned in a substantially
horizontal plane transverse to the direction of the set of guitar strings 33. The
slot 34 in the first bridge 20 may preferably lie at an acute angle relative to the
horizontal, as is shown in figure 1, to facilitate and/or permit adjustment of the
specific intonation of the guitar. The first bridge 20 may conform in geometry and
dimension to the geometry and dimension of the second bridge 22 in the dual bridge
and saddle assembly 16, except for its width dimension. The second bridge 22 should
preferably have a width "d", as shown in figure 2, which is wider than the width of
the first bridge 20 to accommodate two sets of openings 38 and 39 for the guitar strings
33 as opposed to only one set of openings 35 in the first bridge 20. The set of openings
39 in the second bridge 22 are used to secure and peg one end of each of the guitar
strings 33 into the openings 39. The two sets of openings 38 and 39 should be arranged
in parallel to each other on opposite sides of the slot 40 in the second bridge 22
and should include a total number of openings corresponding to twice the number of
string openings 35 present in the first bridge 20.
[0017] The strings 33 are pegged to the openings 39 in the second bridge 22 using peg members
42 as is shown in figures 9B and 12 which are inserted into the openings 39 in engagement
with one end of each string 33 so that each peg member 42 engages each string 33 in
each of the openings 39 to firmly secure the engaged end of each string into one of
the openings 39. The guitar strings 33 are then strung over the saddle 48 in the saddle
assembly 31 as shown in figures 9B and 12 from the pegged ends in the openings 39
through the corresponding set of openings 38 in the second bridge 22 and then through
the openings 35 in the first bridge 20 from whence they are strung over the saddle
44 in the saddle assembly 30 and along the neck 17 of the guitar 10 to the tuning
knobs 15 at the front end 19 of the guitar 10.
[0018] The saddle assembly 30, which is insertable into the slot 34 in the first bridge
20 of the dual bridge and saddle assembly 16, includes the saddle 44, a pickup device
45, a wire cord 46 and an output jack 47 as shown in figure 9B. The pickup device
45 is a conventional component comprising a sound pickup type such as a piezoelectric
shielded magnetic device in a coil of wire. The jack 47 extending from the wire cord
46 is adapted for attaching the pickup device 45 to a preamp 60 mounted on a side
13 of the guitar 10 as shown in figure 7. Similarly, the saddle assembly 31, which
is insertable into the slot 40 in the second bridge 22 of the dual bridge and saddle
assembly 16 comprises a saddle 48, a pickup device 50, a wire cord 51 and an outlet
jack 52 which extends from the wire cord 51 for attaching the pickup device 50 to
a separate preamp 62 which may also be mounted on the same side 13 of the guitar 10.
The two preamplifiers 60 and 62 may be connected through outlet jacks 63 and 64 preferably
mounted on the side 13 of the guitar 10 to an amplifier 65 as shown in figure 7 using,
for example, a conventional "Y" connection 66 or alternatively, each preamplifier
60 and 62 may be connected to a separate amplifier (not shown) for controlling sound
from each preamplifier respectively.
[0019] Each saddle assembly 30 and 31 includes a saddle 44 and 48 and a pickup device 45
and 50 respectively. The saddles 44 and 48 function to support the set of guitar strings
33 over the first and second bridges 20 and 22 on the front and rear sound boards
12 and 14 respectively. Each saddle 44 and 48 may be a component of the saddle assembly
30 and 31 separate and independent of each pickup device 45 and 50 or alternatively
one or both of the saddle assemblies 30 and 31 may have the pickup devices 45 and
50 integrated into the saddle assembly 30 and 31 to form a single integrated unit
which incorporates both a saddle and pickup in combination. In the guitar of the present
invention the pickup device 50 in the saddle assembly 31 is adapted to be inserted
into an opening 57 formed in the saddle 48 thereby forming an integrated unit whereas
the pickup device 45 in the saddle assembly 30 may or may not be integrated into the
saddle 44 to form a single unit. Accordingly, as shown in figure 9B, the pickup device
45 in the saddle assembly 30 represents an independent component and, as such, must
be separately inserted into the slot 34 in the first bridge 20 followed by insertion
of the saddle 44 into slot 34 over the pickup device 45 whereas the saddle 48 combined
with the pickup device 50 is inserted as one integrated unit into the slot 40 in the
second bridge 22.
[0020] Regardless of whether one or both saddle assemblies 30 and 31 is constructed to form
a single integrated unit including both a saddle and pickup device, the saddle component
44 and 48 in each of the saddle assemblies 30 and 31 should have a configuration which
includes a body portion 53, 55 and a thin section 54 extending outwardly from the
body portion 53, 55. The thin extended section 54 should be substantially of rectangular
geometry so that each saddle 44 and 48 forms, in cross section, a "T" configuration
with the extended thin section 54 representing the vertical side of each "T" configuration
and the body portion 53,55 representing the horizontal side. Moreover, the thin section
54 extending from each saddle 44 and 48 should have a width conforming to the width
of the slots 34 and 40 in the first and second bridges 20 and 22 respectively, and
should have a width substantially thinner than the width of the body portion 53, 55
from which it extends. The body portion 53 of the saddle 44 may have a conical geometry
extending to a relatively pointed apex 56 which is adapted to engage the guitar strings
33 in the front sound board 12 whereas the body portion 55 of the saddle 48 may simply
have a rounded semi-cylindrical configuration for engaging the guitar strings 33 in
the rear sound board 14.
[0021] The guitar 10 of the present invention includes at least one sound port 70 although
two sound ports 70 and 72 are preferred, as illustrated in figures 1, 7 and 8A, with
both sound ports 70 and 72 preferably formed in the front sound board 12 on opposite
sides of a sound hole 13 in the guitar 10. The sound hole 13 is located in the body
11 of the guitar 10, preferably in the front sound board 12, at a position underneath
the guitar strings 33 and preferably symmetrically between each sound port 70 and
72. Each of the sound ports 70 and 72 should comprise a member 77, 78 of any desired
geometry, preferably in the form of a hollow tube which is adapted to be inserted
through an opening, formed in one of the sound boards, preferably the front sound
board, with the opening shaped to accommodate members 77, 78. Each member 77, 78 should
have a length so that the members 77,78 extend from the front sound board 12 of the
guitar 10 to a location within the hollow interior 18 of the guitar 10 equal to between
5% and 95% of the distance between the front sound board 12 and the rear sound board
14 and should have an opening 73, 74 extending through each member 77, 78 of any desired
geometry and size preferably round so that each member 77, 78 preferably forming a
parabolic or cylindrical geometry
. By varying either or both the size of the opening 73, 74 and the extended length
of each sound port 70 and 72 within the interior 18 of the guitar 10 the sound ports
70, 72 can be separately tuned to any desired frequency range proportional to the
resonant frequency of the guitar. The optimal condition is for the sound ports 70
and 72 to have round openings 73,74 of equal size in each member 77, 78, with the
length of each member 77, 78 corresponding to between 20% and 80% of the distance
from the front sound board 12 to the rear sound board 14 to enhance the tuning of
most acoustical guitars. However the length and size dimensions of each member 77
and 78 of each sound port 70 and 72 need not be identical.
[0022] Each sound port 70 and 72 should preferably be accompanied by a panel 80 and 82 which
is a geometrically straight panel connected between the front sound board 12 and the
rear sound board 14 in an arrangement lying between each sound port 70 and 72 and
the sound hole 13 and extending from a position relatively near the lower bout of
the guitar 10 to a position adjacent the neck 17 of the guitar 10 or alternatively
so that each straight panel 80 and 82 intersects one another near the neck 17 of the
guitar 10. This will permit sound to be funneled or vented toward the sound ports
70 and 72. Although only two panels 80 and 82 are shown additional straight panels
may be used to form a sound labyrinth within the interior 18 of the guitar body 11.
[0023] An alternative to the use of straight panels 80 and 82 is shown in figure 9A with
each panel having a serpentine curvature in the form of an 'S" connected between the
front sound board 12 and the rear soundboard 14.
[0024] As explained previously, since the panels 80 and 82 are connected between the front
sound board 12 and the rear soundboard 14 the panels 80 and 82, in conjunction with
or without the use of support posts 23 and 24, will act as structural supports for
preventing the front and/or rear sound board from collapsing when the string tension
is too high.
[0025] Embodiments of the present invention may be described by the following clauses.
Clause 1- A stringed musical instrument comprising a body having a first sound board
representing the front surface thereof, a second sound board representing the rear
surface thereof, a common hollow or semi-hollow interior extending between the first
sound board and the second sound board, and a dual bridge and saddle assembly extending
between the first sound board and the second sound board with the dual bridge and
saddle assembly comprising a first bridge and saddle mounted upon the first sound
board, a second bridge and saddle mounted upon the second sound board and a single
set of strings interconnecting the first bridge and the second bridge of the dual
bridge and saddle assembly through the hollow interior of the musical instrument.
Clause 2 - A stringed musical instrument according to clause 1 wherein the dual bridge
and saddle assembly further comprises support posts connecting the front board to
the rear sound board through the hollow interior of the musical instrument.
Clause 3 - A stringed musical instrument according to clause 2 wherein the support
posts are of any geometry selected from the group consisting of a solid cylindrical
geometry, a solid rectangular geometry or a solid square shaped geometry.
Clause 4 - A stringed musical instrument according to clause 2 wherein the first bridge
comprises a plurality of holes aligned transverse to the direction of the set of strings
through which the set of strings are strung with the second bridge comprising two
set of holes totaling twice the number of holes present in the first bridge with-the
single set of strings pegged within one of the two sets of holes in the second bridge.
Clause 5 - A stringed musical instrument according to claim 4 further comprising a
plurality of peg members adapted to be inserted into one of the two sets of holes
in the second bridge for pegging each string in the set of strings to the second bridge.
Clause 6 - A stringed musical instrument as claimed in clause 1 further comprising
a first saddle assembly adapted to be connected to the first bridge, a second saddle
assembly adapted to be connected to the second bridge with each saddle assembly comprising
a saddle, a conventional sound pickup type device and a wire cord and an output jack
for connecting the sound pickup type device in the first and second saddle assembly
to separate preamplifiers mounted in the musical instrument.
Clause 7 - A stringed musical instrument according to clause 6 wherein said first
and second bridge include a slot for receiving the saddle from each said saddle assembly.
Clause 8 - A stringed musical instrument according to clause 7 wherein each saddle
in both said first and second saddle assembly comprises a body portion and a thin
section extending outwardly from the body portion having a substantially rectangular
configuration with a width in substantial conformity to the width of the slot in each
bridge so that the saddle fits tightly within the slot of the first and second bridge
in the dual bridge and saddle assembly.
Clause 9 - A stringed musical instrument according to clause 8 wherein at least one
of said first and second saddle assemblies is an integrated unit in which the sound
type pickup device is incorporated within the body portion of the saddle assembly.
Clause 10 - A stringed musical instrument according to clause 9 wherein the body portion
of each of said first saddle and second saddle assembly is of a geometrical configuration
selected from the group consisting of a conical geometry having an apex for engaging
the set of strings and a semi-cylindrical geometry with the semi - cylindrical geometry
having a rounded surface to engage the set of strings.
Clause 11 - A stringed musical instrument according to clause 1 wherein the musical
instrument further comprises a sound hole through which sound can exit and at least
one sound port separate from the sound hole with the sound port comprising a member
adapted to be inserted through a hole formed in either said front sound board or said
rear sound board with the member having a central opening of predetermined size dimension
and length such that said member extends a fixed distance into the interior of the
musical instrument equal to between 5% and 95% of the distance between the front sound
board and the rear sound board.
Clause 12 - A stringed musical instrument according to clause 11 wherein the member
in said sound port comprises a tube having a round central opening and a length which
extends a fixed distance into the interior of the musical instrument equal to between
5% and 95% of the distance between the front sound board and the rear sound board.
Clause 13 - A stringed musical instrument according to clause 11 wherein the musical
instrument further comprises at least one sound port formed in either the front sound
board or rear sound board at a location adjacent the sound hole. Clause 14 - A stringed
musical instrument according to clause 13 further comprising at least one panel connected
between the front sound board and the rear sound board in an arrangement extending
between the sound port and sound hole to directionally funnel sound toward the sound
port.
Clause 15 - A stringed musical instrument according to clause 14 further comprising
a plurality of panels wherein each panel is a straight panel connecting the front
sound board to the rear sound board and extending from a position relatively near
a bridge on the front or rear sound board to a position near the neck of the musical
instrument and located between each sound port and sound hole.
Clause 16 - A stringed musical instrument according to clause 15 wherein each panel
is a curved panel connecting the front sound board to the rear sound board and having
a serpentine geometry in an "S" configuration.
Clause 17 - A stringed musical instrument according to clause 10 wherein each preamplifier
is connected in common to a single amplifier or is connected to separate amplifiers.
Clause 18 - A method of constructing a stringed musical instrument, having a body
with a hollow or semi-hollow interior, a front and rear sound board disposed on opposite
sides of the hollow interior, a single set of strings and a dual bridge and saddle
assembly including a first bridge mounted upon the front sound board and a second
bridge mounted upon the rear sound board with the method comprising the steps of mounting
a first saddle assembly in the first bridge of the dual bridge and saddle assembly,
mounting a second saddle assembly in the second bridge of the dual bridge and saddle
assembly, and stringing said single set of strings to the musical instrument between
the fist saddle assembly and the second saddle assembly such that the strings interconnect
the first bridge and the second bridge through the hollow interior body of the musical
instrument for generating sound from each sound board respectively.
Clause 19 - A method of constructing a stringed musical instrument as defined in clause
18 further comprising support posts interconnecting the first bridge to the second
bridge of said dual bridge and saddle assembly through the hollow interior for structurally
supporting the front sound board to the rear sound board.
Clause 20 - A method of constructing a stringed musical instrument as defined in clause
18 having a sound hole and at least one sound port located adjacent the sound hole
having a hollow member extending through either the front sound board or the rear
sound board with the length of the hollow member selected to extend a fixed distance
into the interior of the musical instrument equal to between 5% and 95% of the distance
between the front sound board and the rear sound board for tuning the sound port to
a desired frequency range proportional to the resonant frequency of the guitar..
Clause 21 - A method of constructing a stringed musical instrument as defined in clause
20 wherein the length of the hollow member is selected to extend a fixed distance
into the interior of the musical instrument equal to between 20% and 80% of the distance
between the front sound board and the rear sound board for tuning the sound port to
a desired frequency range proportional to the resonant frequency of the guitar.
Clause 22 - A method of constructing a stringed musical instrument as defined in clause
21 further comprising placing a panel between the sound port and sound hole for funneling
or venting sound through the sound port.
Clause 23 - A method of constructing a stringed musical instrument as defined in clause
22 wherein the panel is a straight panel or a curved panel having a serpentine curvature.
Clause 24 - A musical instrument comprising a body having a hollow or semi-hollow
interior, a front and rear surface and a sound board representing either the anatomical
front surface or the anatomical rear surface of the hollow body, or with the front
surface and the rear surface both functioning as a sound board for the musical instrument
and having at least one tuned sound port extending into the interior of the musical
instrument through which sound can exist with the tuned sound port comprising a hollow
member adapted to be inserted through a hole formed in the musical instrument and
having a central opening of predetermined geometry and a length extending a fixed
distance from the hole through which the tuned sound port is inserted.
Clause 25 - A musical instrument as defined in clause 24 wherein the musical instrument
is a stringed musical instrument with the tuned sound port inserted through a hole
formed in at least the anatomical front or rear sound board of the musical instrument
with the hollow member extending into the interior of the musical instrument a fixed
distance equal to between 5% and 95% of the distance between the front and rear sound
boards.
Clause 26 - A musical instrument according to clause 25 wherein the hole through which
the tuned sound port extends is round and the hollow member has a cylindrical or parabolic
configuration.
Clause 27 - A musical instrument according to clause 26 wherein the hollow member
has a length which extends a fixed distance from the sound board into the interior
of the musical instrument equal to a minimum distance between ¼ and ½ of the diameter
of the ported opening within a range of plus or minus 20%.
Clause 28 - A musical instrument according to clause 25 further comprising a plurality
of panels interconnecting the front and rear sound boards.
Clause 29 - A musical instrument according to clause 28 wherein the panels have a
flat or curved geometry.
Clause 30 - A musical instrument according to clause 24 wherein the panels have a
curved geometry which is serpentine or sinusoidal in shape corresponding to the letter
"s".
Clause 31 - A musical instrument according to clause 28 further comprising at least
a second tuned sound port with each tuned sound port being symmetrically arranged
to funnel sound through at least one tuned sound port.
Clause 32 - A musical instrument according to clause 28 wherein the musical instrument
has a sound hole other than a tuned sound port with the panels symmetrically arranged
on opposite sides of the sound hole.
Clause 33 - A musical instrument according to clause 32 wherein the panels extend
symmetrically from opposite sides of the musical instrument and from opposite ends
thereof.
Clause 34 - A musical instrument according to clause 28 further comprising a dual
bridge arrangement having a first bridge mounted on the anatomical front sound board,
a second bridge mounted on the anatomical rear board and sonic structural support
posts interconnecting the first bridge to the second bridge.
Clause 35 - A musical instrument comprising a hollow or semi-hollow body, a front
and rear surface, at least one sound board representing either the anatomical front
surface or the anatomical rear surface of the hollow body and a plurality of panels
interconnecting the front and rear surfaces of the hollow body.
Clause 36 - A musical instrument as defined in clause 35 further comprising at least
one tuned sound port extending into the hollow body of the musical instrument through
which sound can exist with the tuned sound port comprising a hollow member adapted
to be inserted through an opening formed in the body of the musical instrument and
with the hollow member having a central opening of predetermined geometry and length
extending a fixed distance from the hole through which the tuned sound port is inserted..
Clause 37 - A musical instrument as defined in clause 36 wherein the opening is round
and the hollow member is of a cylindrical configuration extending a fixed minimum
distance from the opening equal to between ¼ and ½ of the diameter of the ported opening
within a range of plus or minus 20%.
Clause 38 - A musical instrument as defined in clause 37 wherein the panels have a
curved and/or flat geometry.
Clause 39 - A musical instrument as defined in claim 36 wherein the musical instrument
is a stringed musical instrument.
Clause 40 - A musical instrument as defined in clause 24 further comprising a bridge
and saddle assembly attached to the anatomical front sound board of the musical instrument
which includes at least one conventional transducer pick up for converting vibrations
from the strings in the musical instrument into electrical signals.
Clause 41 - A musical instrument as defined in clause 40 wherein at least one conventional
transducer pick up is incorporated into the saddle in the bridge and saddle assembly.
1. A stringed musical instrument comprising a body having a first sound board representing
the front surface thereof, a second sound board representing the rear surface thereof,
a common hollow or semi-hollow interior extending between the first sound board and
the second sound board, and a dual bridge and saddle assembly extending between the
first sound board and the second sound board with the dual bridge and saddle assembly
comprising a first bridge and saddle mounted upon the first sound board, a second
bridge and saddle mounted upon the second sound board and a single set of strings
interconnecting the first bridge and the second bridge of the dual bridge and saddle
assembly through the hollow interior of the musical instrument.
2. A stringed musical instrument according to claim 1 wherein the dual bridge and saddle
assembly further comprises support posts connecting the front board to the rear sound
board through the hollow interior of the musical instrument wherein the support posts
may be of any geometry selected from the group consisting of a solid cylindrical geometry,
a solid rectangular geometry or a solid square shaped geometry.
3. A stringed musical instrument according to claim 2 wherein the first bridge comprises
a plurality of holes aligned transverse to the direction of the set of strings through
which the set of strings are strung with the second bridge comprising two set of holes
totaling twice the number of holes present in the first bridge with the single set
of strings pegged within one of the two sets of holes in the second bridge, wherein
the stringed instrument may further comprising a plurality of peg members adapted
to be inserted into one of the two sets of holes in the second bridge for pegging
each string in the set of strings to the second bridge.
4. A stringed musical instrument as claimed in any one of the preceding claims further
comprising a first saddle assembly adapted to be connected to the first bridge, a
second saddle assembly adapted to be connected to the second bridge with each saddle
assembly comprising a saddle, a conventional sound pickup type device and a wire cord
and an output jack for connecting the sound pickup type device in the first and second
saddle assembly to separate preamplifiers mounted in the musical instrument, wherein
said first and second bridge may include a slot for receiving the saddle from each
said saddle assembly.
5. A stringed musical instrument according to claim 4 wherein each saddle in both said
first and second saddle assembly comprises a body portion and a thin section extending
outwardly from the body portion having a substantially rectangular configuration with
a width in substantial conformity to the width of the slot in each bridge so that
the saddle fits tightly within the slot of the first and second bridge in the dual
bridge and saddle assembly.
6. A stringed musical instrument according to claim 5 wherein at least one of said first
and second saddle assemblies is an integrated unit in which the sound type pickup
device is incorporated within the body portion of the saddle assembly, wherein the
body portion of each of said first saddle and second saddle assembly may be of a geometrical
configuration selected from the group consisting of a conical geometry having an apex
for engaging the set of strings and a semi-cylindrical geometry with the semi -cylindrical
geometry having a rounded surface to engage the set of strings.
7. A stringed musical instrument according to any one of the preceding claims wherein
the musical instrument further comprises a sound hole through which sound can exit
and at least one sound port separate from the sound hole with the sound port comprising
a member adapted to be inserted through a hole formed in either said front sound board
or said rear sound board with the member having a central opening of predetermined
size dimension and length such that said member extends a fixed distance into the
interior of the musical instrument equal to between 5% and 95% of the distance between
the front sound board and the rear sound board.
8. A stringed musical instrument according to claim 7 wherein the member in said sound
port comprises a tube having a round central opening and a length which extends a
fixed distance into the interior of the musical instrument equal to between 5% and
95% of the distance between the front sound board and the rear sound board.
9. A stringed musical instrument according to claim 11 wherein the musical instrument
further comprises at least one sound port formed in either the front sound board or
rear sound board at a location adjacent the sound hole.
10. A stringed musical instrument according to claim 9 further comprising at least one
panel connected between the front sound board and the rear sound board in an arrangement
extending between the sound port and sound hole to directionally funnel sound toward
the sound port.
11. A stringed musical instrument according to claim 10 further comprising a plurality
of panels wherein each panel is a straight panel connecting the front sound board
to the rear sound board and extending from a position relatively near a bridge on
the front or rear sound board to a position near the neck of the musical instrument
and located between each sound port and sound hole, wherein each panel may be a curved
panel connecting the front sound board to the rear sound board and having a serpentine
geometry in an "S" configuration.
12. A stringed musical instrument according to claim 4 wherein each preamplifier is connected
in common to a single amplifier or is connected to separate amplifiers.
13. A method of constructing a stringed musical instrument, having a body with a hollow
or semi-hollow interior, a front and rear sound board disposed on opposite sides of
the hollow interior, a single set of strings and a dual bridge and saddle assembly
including a first bridge mounted upon the front sound board and a second bridge mounted
upon the rear sound board with the method comprising the steps of mounting a first
saddle assembly in the first bridge of the dual bridge and saddle assembly, mounting
a second saddle assembly in the second bridge of the dual bridge and saddle assembly,
and stringing said single set of strings to the musical instrument between the fist
saddle assembly and the second saddle assembly such that the strings interconnect
the first bridge and the second bridge through the hollow interior body of the musical
instrument for generating sound from each sound board respectively.
14. A musical instrument comprising a body having a hollow or semi-hollow interior, a
front and rear surface and a sound board representing either the anatomical front
surface or the anatomical rear surface of the hollow body, or with the front surface
and the rear surface both functioning as a sound board for the musical instrument
and having at least one tuned sound port extending into the interior of the musical
instrument through which sound can exist with the tuned sound port comprising a hollow
member adapted to be inserted through a hole formed in the musical instrument and
having a central opening of predetermined geometry and a length extending a fixed
distance from the hole through which the tuned sound port is inserted.
15. A musical instrument as defined in claim 14 further comprising a bridge and saddle
assembly attached to the anatomical front sound board of the musical instrument which
includes at least one conventional transducer pick up for converting vibrations from
the strings in the musical instrument into electrical signals, wherein the at least
one conventional transducer pick up is incorporated into the saddle in the bridge
and saddle assembly.